deep vidding thoughts
Apr. 22nd, 2012 01:32 amI want to make another booze vid and complete that trilogy. I'm not sure where I'm going with it yet, though, because the sequence has been "we drink to get through the day" (Industrial Strength Tranquilizer), "my drinking has reached problematic levels" (I Drink Alone), so in terms of progression the third vid in the trilogy should be something like "I was on the wagon but I've fallen off again" or possibly "I'll just have one more but I can quit anytime." So I need a song on that theme and a fandom to attach it to. I'm avoiding thinking about the fandom that suggested itself last night by uh related incident below. Also I'm telling myself not to use "I'll just have one beer then I'll be right home" because it's by the Austin Lounge Lizards and I already used them for Industrial Strength Tranquilizer.
(Tony Stark had a conversation with me about my drinking last night, which was deeply disturbing and I think I hurt his feelings when I announced I wanted Steve instead. I mean, let's start with my Steve is already an independent personality in my head and I hadn't realized Tony was and I sort of hope he goes back to minding his own business because jfc. But also, he has an atypical perspective on drinking so I do not know how I feel about the advice he gave me.)(The two pieces of advice were: drinking had not made me feel better, so that was empirically a bad reason to have been drinking; and drinking was not why I felt bad in the first place, so I shouldn't beat myself up about it.)
The other trilogy I'm playing around with is uh, the one I hadn't realized wanted to be a trilogy. And I only have two parts of it bunnied. It's the dystopian trilogy; the final part would be the light-at-the-end-of-the-tunnel (there is paradise beyond the city walls) vid to "Woodstock." Either the first or second part would be "2000 light years from home," (I'm thinking first, it's the journey from here to the depths intro?) about when space exploration is mind-bending and breaking instead of exciting: like, Solaris, 2001, ha Planet of the Apes would fit on this list, Sunshine *might*, Alien, gosh, even Pitch Black, Event Horizon, Forbidden Planet, maybe Mission to Mars (which, like Solaris, felt very 2001 to me, though it's worth noting Solaris the novel predates 2001, something I didn't realize when watching the 2002 film), possibly parts of Farscape, maybe a smidgeon of the pilots in Dune. I'm still pulling this concept together; it's like, space horror, but a specific corner of space horror that overlaps with some other things? And then I have no idea what the song or theme of the middle vid should be; logically it would be a "when things have gotten as bad as they can possibly get" piece, but I need a specific genre pull that resonates with me a certain way. Even if it looks amorphous to outsiders.I'm sort of considering declaring "Dancer," the Tron/women refusing to be objects vid bunny, to be the middle one, but there's ways it doesn't fit (The Killers are not 60s psychedelic rock; it's not a lowest of low concept, it's a fighting back concept). On the other hand, it's in a angry feminist critique continuum with She Walks, to which the Woodstock vid was originally going to be a the spiritual successor.
Actually, I've just had an idea for the specific genre/trope of the third one (thought process: was contemplating David Bowie's song about 2001, then David Bowie in the Man Who Fell to Earth): the dystopic aspects of society on Earth, paranoia and distrust that when well-meaning aliens end up here, it goes badly for them or people who help them (like, the turn around FLIP from the outgoing journey in 2000 Light Years). Still need a song, but my brain is starting to pile up films: ET, god the whole hazmat suit sequence in ET, Man Who Fell to Earth, District 9, The Day the Earth Stood Still, things like K-Pax and 12 Monkeys and Martian Child might be relevant, Starman (ha, I was trying to figure out why my mother like that one, she's not usually a scifi fan, but Jeff Bridges really), Flight of the Navigator, parts of Close Encounters. I might even start putting in specific interpretations of the Frankenstein mythology, where the "monster" is justified and the villagers have pitchforks (The Island?). No idea what song I would be using for the detained/lab rat/distrust. Well, I know what ~5 years of material I need to be listening to.
(Tony Stark had a conversation with me about my drinking last night, which was deeply disturbing and I think I hurt his feelings when I announced I wanted Steve instead. I mean, let's start with my Steve is already an independent personality in my head and I hadn't realized Tony was and I sort of hope he goes back to minding his own business because jfc. But also, he has an atypical perspective on drinking so I do not know how I feel about the advice he gave me.)(The two pieces of advice were: drinking had not made me feel better, so that was empirically a bad reason to have been drinking; and drinking was not why I felt bad in the first place, so I shouldn't beat myself up about it.)
The other trilogy I'm playing around with is uh, the one I hadn't realized wanted to be a trilogy. And I only have two parts of it bunnied. It's the dystopian trilogy; the final part would be the light-at-the-end-of-the-tunnel (there is paradise beyond the city walls) vid to "Woodstock." Either the first or second part would be "2000 light years from home," (I'm thinking first, it's the journey from here to the depths intro?) about when space exploration is mind-bending and breaking instead of exciting: like, Solaris, 2001, ha Planet of the Apes would fit on this list, Sunshine *might*, Alien, gosh, even Pitch Black, Event Horizon, Forbidden Planet, maybe Mission to Mars (which, like Solaris, felt very 2001 to me, though it's worth noting Solaris the novel predates 2001, something I didn't realize when watching the 2002 film), possibly parts of Farscape, maybe a smidgeon of the pilots in Dune. I'm still pulling this concept together; it's like, space horror, but a specific corner of space horror that overlaps with some other things? And then I have no idea what the song or theme of the middle vid should be; logically it would be a "when things have gotten as bad as they can possibly get" piece, but I need a specific genre pull that resonates with me a certain way. Even if it looks amorphous to outsiders.
Actually, I've just had an idea for the specific genre/trope of the third one (thought process: was contemplating David Bowie's song about 2001, then David Bowie in the Man Who Fell to Earth): the dystopic aspects of society on Earth, paranoia and distrust that when well-meaning aliens end up here, it goes badly for them or people who help them (like, the turn around FLIP from the outgoing journey in 2000 Light Years). Still need a song, but my brain is starting to pile up films: ET, god the whole hazmat suit sequence in ET, Man Who Fell to Earth, District 9, The Day the Earth Stood Still, things like K-Pax and 12 Monkeys and Martian Child might be relevant, Starman (ha, I was trying to figure out why my mother like that one, she's not usually a scifi fan, but Jeff Bridges really), Flight of the Navigator, parts of Close Encounters. I might even start putting in specific interpretations of the Frankenstein mythology, where the "monster" is justified and the villagers have pitchforks (The Island?). No idea what song I would be using for the detained/lab rat/distrust. Well, I know what ~5 years of material I need to be listening to.