jmtorres: Quinn from Sliders asleep with book open on his chest. Text: Sweet dreams. (sleep)
The "you went to bed early? that's a punishable offense" edition.

I think I am doing better. I got up early, went to class, though I didn't make anything up, and I wrote--I can't get any of the Glee crap out of my head, which is too bad as I am starting to annoy my nearest and dearest retelling them bits, but I wrote down some of Amita in space (on a hunch; the empty page was staring at me and wouldn't take ink for the stories of in-many-ways-normative white dudes, so I started writing Amita and got like, four pages down and only stopped for time). It's been a while since I wrote, this is good. Also I made a cheesecake and used up four of our multitude of apples (two more for the topping when I get around to it).

And that was my day. I am back to putting "going to class" in my list of accomplishments, which sucks, but I hadn't been doing it and I did it, which is good.

And: quiz due by 2:30 on Friday. Very doable.
jmtorres: From Lady Gaga's Bad Romance music video; the peach-haired, wide-eyed iteration (Default)
[personal profile] happydork wrote an interesting entry examining why her own writing didn't reflect the diversity of characters she wants to read about. I thought both the entry and the conversation it sparked were fascinating and I encourage you to go look at it and post your own thoughts because I want to see what more people think!

I look back at the last dozen stories I've written and find I have a similar problem with focusing on the love lives of white dudes despite my broader interests. I think for me the socialized programming to accept the white dude perspective as normative in fiction is something I have to think about to overcome even though my intellectual beliefs concern greater representation of a variety of perspectives in fiction, both fan and media, to the end of normalizing being a not-white/not-dude/not-assorted-currently-normative-states.
jmtorres: (sherlock holmes 2009)
So I've been reading some old skool Holmes stuff because really the new movie is fluffy and malleable enough that you can stuff it somewhere in between most of the other canon (though by my count Watson ought to have been married off already before Holmes acquired that cabinet portrait of Irene) and the thing that keeps cracking me up is they cite the stories. I keep reading stuff that's footnoted with references to what story random item X happened in, be it deeply relevant to the fanfiction plot or random aside commentary. It's like, really? Really? Do you not trust you audience to have read the "sacred texts," or do you just want to impress them with how much you have?

In other news: hilarious tongue-in-cheek proof that Watson was a Woman, ca. 1941. My biggest disconnect on it was "dude, your main argument is that they're married, Watson doesn't actually have to be a woman for that." It's like a heteronormative slash thesis with bonus absurd numerology. I am quite fond of the bit about the wedding, though. OH HOLMES. You know, my drag king kink is such that I am REALLY QUITE OKAY with cross-dressing female!Watson in some small portion of stories that do not remotely manage to counter the tide of proper slash.

movie plot thoughts, spoilery? )
jmtorres: (gay)
So for reasons that don't bear examining at the moment, I was looking up Cobra Starship's parody of Kate Perry, "I Kissed a Boy," a song which I find hilarious but about as problematic as the original (plot: singer kissed a boy to "start an altercation" and "[get] all the honeys at the club excited"; it would be nice if someone would tackle this in a way that wasn't so heteronormative with a side of "oh look it's kinky to be queer, not that I am!").

In any case I came across someone's school project music video for I Kissed A Boy and to my amusement there's not a girl in sight. You say it's all about the bitches, boy? Because I don't see any.

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jmtorres: From Lady Gaga's Bad Romance music video; the peach-haired, wide-eyed iteration (Default)
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