So I try, generally, to accept the idea that once I put things on the internet, they are on the internet and free to be made merry with by one and all. Therefore, it is my opinion that you do not REQUIRE my permission to:
--remix my work
--podfic my work
--make vids of my fanfic
--show my vids in a vidshow
--link my work, to anyone you reasonably think would appreciate it
--write fanfic of my fanfic
--draw fanart for my fanfic
--or any other permutation of fannish inspiration you can think of.
But if you want my permission, you have it. Also, if I've managed to lock something you wanted to share, poke me about it, that's generally accidental, I will usually unlock.
I would like to hear about if you are using or remixing or etcing my work! That is pretty exciting for me. Also, I would like to be credited (except on those rare occasions--I can think of two--where I have posted work with the specific request *not* to be associated with it).
See also: my braintwin's thoughts on this matter.
So anyway: you don't have to ask to play in my sandbox, but the answer's always yes.
For reference: my vids.
ETA: For more recent work, see
houseoftorres. For as complete a listing as exists in one place, check AO3.
27 October 2008: Industrial Strength Tranquilizer, Eureka vid to the Austin Lounge Lizards. Wedding present for
niqaeli. Premiered at
vidukon 2008. 24.1MB avi. Link updated 21 March 2019.
18 August 2008: Highway Café of the Damned, Stargate SG-1 vid to the Austin Lounge Lizards. Co-vidded with
niqaeli. Premiered at
vividcon 2008. 24.6MB avi. Link updated 21 March 2019.
13 August 2007: Tokyo Sling: Remix, Weiß Kreuz vid to Smashmouth's Waste for
keelieinblack and the
vividcon 2007 Auction. 26.5MB avi. Link updated 21 March 2019.
4 September 2006: Miracle and Wonder, Star Wars original trilogy to Paul Simon's Boy in the Bubble. Blind remaster of baby's first vid. Wedding present for the high school best friend. 27.1MB avi. Link updated 21 March 2019.
16 August 2004: Change, Fight Club to the Getaway People. For
cadetdru. Premiered at
vividcon 2004. 30MB avi. There is also Commentary, 22mb mov, as of Nov 07. That appears to be lost to the vagaries of the internet. Link to vid updated 21 March 2019.
16 August 2004: Shot in the Head, Touching Evil (US) to David Bowie's Seven Years in Tibet. Mostly done because the source was damn pretty. Premiered at
vividcon '04. 13.5MB avi. Link updated 21 March 2019.
27 May 2003: Rain, Farscape to Paul McCartney's Mamunia. A serendipitous shift in the weather. For
ysobel. 8.4MB avi. Link updated 14 May 2019
11 March 2003: American Tune, Andromeda (the downfall of Rhade) to Paul Simon. My least favorite of my own vids, but I know that it works for some people, so. 30.8MB avi. Link updated 21 March 2019.
17 February 2003: I Want You, Witchblade (Irons's obsession with Pez and the blade) to Elvis Costello. For
boniblithe. 54.5MB avi because it is an effing six and a half minute vid, but I have to say, this encode gets the luminosity to viewable levels. Link updated 9 May 2019.
15 November 2002: Kryptonite Andromeda (Dylan/Rhade) to Three Doors Down. First vid that saw web (remastered for the bits that weren't out on DVD yet originally). Premiered at
vividcon '04. 30.5MB avi. Link updated 21 March 2019.
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27 October 2008: Industrial Strength Tranquilizer, Eureka vid to the Austin Lounge Lizards. Wedding present for
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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18 August 2008: Highway Café of the Damned, Stargate SG-1 vid to the Austin Lounge Lizards. Co-vidded with
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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13 August 2007: Tokyo Sling: Remix, Weiß Kreuz vid to Smashmouth's Waste for
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
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4 September 2006: Miracle and Wonder, Star Wars original trilogy to Paul Simon's Boy in the Bubble. Blind remaster of baby's first vid. Wedding present for the high school best friend. 27.1MB avi. Link updated 21 March 2019.
16 August 2004: Change, Fight Club to the Getaway People. For
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
16 August 2004: Shot in the Head, Touching Evil (US) to David Bowie's Seven Years in Tibet. Mostly done because the source was damn pretty. Premiered at
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
27 May 2003: Rain, Farscape to Paul McCartney's Mamunia. A serendipitous shift in the weather. For
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
11 March 2003: American Tune, Andromeda (the downfall of Rhade) to Paul Simon. My least favorite of my own vids, but I know that it works for some people, so. 30.8MB avi. Link updated 21 March 2019.
17 February 2003: I Want You, Witchblade (Irons's obsession with Pez and the blade) to Elvis Costello. For
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
15 November 2002: Kryptonite Andromeda (Dylan/Rhade) to Three Doors Down. First vid that saw web (remastered for the bits that weren't out on DVD yet originally). Premiered at
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
not dead yet
all evidence to the contrary i am not dead yet. I know a couple of people dropped me in their annual prune of inactive journals so I figured i would say that much even if I don't have the energy for a longer entry right now. *waves*
fullmetal
made a status update about my personal life, one bit was about how I've watched Fullmetal Alchemist: Brotherhood 2.5 times in as many months. brought the fannish blathering to a public post.
FMA/B is currently my primary fandom! I've been reading a ton of fic--mostly Roy/Ed, although I also read some Riza/Roy when it came up in the 'bottom Roy' tag because lolyes. I have two main plotbunnies I want to write--one is a specific idea about Roy being FTM and getting an automail dick (at Ed's urging, because Ed is an automail evangelist) with lots of headcanons about how automail works and is installed. The other is like, the kitchen sink plotbunny, where Roy is extremely poly and the polycule includes almost everyone in the conspiracy to make him Fuhrer, and also Roy semi-accidentally catches Hughes's soul in the phone system and Ed helps him grow a body to put it in, and also Ed is working through being grey-ace and agender and trying to have a relationship with Roy while Roy is trying to very gently ask him what he even wants, because so many mixed signals. The automail dick plotbunny is pretty firmly in the FMAB continuity but I love FMA '03 a LOT and have been working with a frankencanon for the kitchen sink story (fitting? the canon is also a kitchen sink?).
Features of the frankencanon: ( fairly extensive spoilers for both? or at least assumption you know the spoilers for both? )
I also have a couple of vid bunnies! one is the resurrected vid bunny I had back in 2005 about Roy after Hughes's death, to Green Day's Holiday, which could easily work to either canon. or both. or i might *yet* make a constructed reality AU vid about Roy's attempt at human transmutation. The second is a crossroads deal with the devil song that I wanted to vid about how Ed ends up working with all these people who were or should have been enemies on Promised Day, up to and including the Thing in the Gate itself. I started listening to the band that wrote the song a fair amount and now I'm gravitating to vidding a different song of theirs, called Hangman (although it contains some.... possibly Latin, possibly gibberish parts that the band's fandom's translation of makes little to no sense, which might make it hard). But it's such a good atmospheric song for the epic tragedy of it all.
FMA/B is currently my primary fandom! I've been reading a ton of fic--mostly Roy/Ed, although I also read some Riza/Roy when it came up in the 'bottom Roy' tag because lolyes. I have two main plotbunnies I want to write--one is a specific idea about Roy being FTM and getting an automail dick (at Ed's urging, because Ed is an automail evangelist) with lots of headcanons about how automail works and is installed. The other is like, the kitchen sink plotbunny, where Roy is extremely poly and the polycule includes almost everyone in the conspiracy to make him Fuhrer, and also Roy semi-accidentally catches Hughes's soul in the phone system and Ed helps him grow a body to put it in, and also Ed is working through being grey-ace and agender and trying to have a relationship with Roy while Roy is trying to very gently ask him what he even wants, because so many mixed signals. The automail dick plotbunny is pretty firmly in the FMAB continuity but I love FMA '03 a LOT and have been working with a frankencanon for the kitchen sink story (fitting? the canon is also a kitchen sink?).
Features of the frankencanon: ( fairly extensive spoilers for both? or at least assumption you know the spoilers for both? )
I also have a couple of vid bunnies! one is the resurrected vid bunny I had back in 2005 about Roy after Hughes's death, to Green Day's Holiday, which could easily work to either canon. or both. or i might *yet* make a constructed reality AU vid about Roy's attempt at human transmutation. The second is a crossroads deal with the devil song that I wanted to vid about how Ed ends up working with all these people who were or should have been enemies on Promised Day, up to and including the Thing in the Gate itself. I started listening to the band that wrote the song a fair amount and now I'm gravitating to vidding a different song of theirs, called Hangman (although it contains some.... possibly Latin, possibly gibberish parts that the band's fandom's translation of makes little to no sense, which might make it hard). But it's such a good atmospheric song for the epic tragedy of it all.
more fannish stuff
I got obsessed with Murderbot back in May when the new novel came out (some relevant tumblr posts, because I've been posting more there: exploding with feelings about ART and Murderbot and how they misunderstand each other, and a conversation about usage of names and pronouns by artificial intelligences in Murderbot); I want to vid it because of course any book I love I'm like "I want to vid this now lack of video source be damned." Anyway I have a huge collection of space/robot/cyborg/AI movies and shows I've been watching with an eye to collecting material for a Murderbot vid.
Gravity: tbh i spent a good 2/3 of this movie pondering what heist the Ocean siblings were trying to pull in space. also i am SO DEEPLY OVER "woman takes off space suit, wanders around in tank top and underwear." what a weird pointlessly objectifying trope. (Is it older than Alien? I mean, I remember it very vividly from Alien.) Also she's supposed to be wearing NASA space suit and like, that has specialized temperature-controlling full-body long underwear under it. Yes, this movie did make me spite research astronaut underwear. Also, did you know it takes like 45 minutes to get a spacesuit on, with help, it's practically impossible to get one on without help, so that scene where she goes outside in time for the space debris shower in under 7 minutes is just a bit beyond credulity.
Ad Astra: needs more Ruth Negga. There was a bit when she had just been introduced and some lackey is like "you can go now we're talking about things above your clearance level" and i was just like excuse you??? you're not even credited??? Parts of this were just headdesk. Like Brad Pitt's character (how did Rusty get separated from Danny and Debbie anyway? poor guy) sneaks onto a mission he's been banned from and in the first five minutes manages to ACCIDENTALLY kill everyone onboard. I was just like. Wow. I cannot make myself care about you. I had a really hard time figuring out when this was supposed to be set, and I finally decided it occurred approximately in the present but in an alternate timeline where basically every space probe or robot we sent out was actually humans/colonization. Mars was colonized when we sent Curiosity and Sojourner and Spirit and so on. The mission Brad Pitt's dad was on? Basically Voyager.
Edge of Tomorrow: funnily enough I didn't know about the time travel/loop element of this and was highly entertained! Also there is a chance I will end up casting Murderbot as the back of Tom Cruise's head because he's been in a fair amount of high-budget schlock and likes to do stunts that would be more readily attributable to someone with construct strength and speed.
Europa Report: I'd already seen this but decided to rewatch it, and I freaking love this movie, highly recommend if you've never seen it. It's a faux documentary of a mission sent to Europa. They encounter a lot of technical difficulties (parts of it are kind of space horror, a lot of characters die) but they are incredibly dedicated to scientific advancement and learning new thing and have this joy about finding life on another planet/moon.
Tau: Netflix movie wherein a dude is kidnapping like homeless people and sex workers (your basic serial killer move of going for the disposable people) so he can map their brains to make AI. There's a back of the neck glowing implant that's useful to my purposes. The kidnap victims stage an escape and most of them get killed (including the black guy, OH MY GOD) so the rest of the movie is a weird power play thing between Scientist Kidnapper and Attractive Blonde Girl. Tau is the name of an AI the guy already built, but finds imperfect, so it's limited to running his house and isn't allowed access to information. Scientist Kidnapper routinely puts Tau in charge of his prisoner so of course she bonds with Tau and gets it to help her in exchange for telling it about the world outside the house and looking up answers to things it wants to know and isn't allowed to read for itself. Ends in satisfying explosions.
Falling Skies: post-apocalyptic series about a semi-official militia of survivors of an alien invasion, starring Noah Wyle as scruffy hot dad protagonist. I'm about 2 seasons in (they're short seasons) and it's actually a lot more frequently about humans fighting amongst themselves than about humans vs. aliens. The mechs might be useful to me (combat bots?) so I keep skimming for big battles. The aliens enslave teenagers with a biotech slug they attach to their spines; unfortunately it is waaaay too big and organic looking to work for what I need, although the kids who have been freed and just have spikes sticking out of their backs might be useful to me. I have a complaint about an antagonist from like the second episode--the plot of that episode was a scout team gets caught by a post-apocalyptic gang of assholes who are like "society's over let's just rape and kill our way to the end" and I was like, oh no, they cast the leader of the gang too pretty, they're gonna keep him aren't they, and sure enough IMDB says he's in 48/50 episodes. I keep being like GOD why do they think they can make the murdering racist rapist a likeable character? And then I remind myself that I do know of post apocalyptic fiction where the good guys just don't put up with that shit: in Meg Elison's Road to Nowhere series, of which I've read Book of the Unnamed Midwife and Book of Etta, there's a lot of post-apocalyptic rape gang bullshit, but the town of Nowhere basically just decided they weren't having it. When people come to trade and offer to sell them their rape slaves, Nowhere executes the rapists and frees the slaves. People who responded to the apocalypse by enslaving and raping other people don't get any passes, they just get dead. So sometimes I watch Falling Skies and think to myself how if the pretty gang leader had showed up in those books, he'd just be dead. "well he saved so and so's life" he's a rapist, shoot him in the head. "he can cook!" don't care he's a rapist kill him. no excuses.
Gravity: tbh i spent a good 2/3 of this movie pondering what heist the Ocean siblings were trying to pull in space. also i am SO DEEPLY OVER "woman takes off space suit, wanders around in tank top and underwear." what a weird pointlessly objectifying trope. (Is it older than Alien? I mean, I remember it very vividly from Alien.) Also she's supposed to be wearing NASA space suit and like, that has specialized temperature-controlling full-body long underwear under it. Yes, this movie did make me spite research astronaut underwear. Also, did you know it takes like 45 minutes to get a spacesuit on, with help, it's practically impossible to get one on without help, so that scene where she goes outside in time for the space debris shower in under 7 minutes is just a bit beyond credulity.
Ad Astra: needs more Ruth Negga. There was a bit when she had just been introduced and some lackey is like "you can go now we're talking about things above your clearance level" and i was just like excuse you??? you're not even credited??? Parts of this were just headdesk. Like Brad Pitt's character (how did Rusty get separated from Danny and Debbie anyway? poor guy) sneaks onto a mission he's been banned from and in the first five minutes manages to ACCIDENTALLY kill everyone onboard. I was just like. Wow. I cannot make myself care about you. I had a really hard time figuring out when this was supposed to be set, and I finally decided it occurred approximately in the present but in an alternate timeline where basically every space probe or robot we sent out was actually humans/colonization. Mars was colonized when we sent Curiosity and Sojourner and Spirit and so on. The mission Brad Pitt's dad was on? Basically Voyager.
Edge of Tomorrow: funnily enough I didn't know about the time travel/loop element of this and was highly entertained! Also there is a chance I will end up casting Murderbot as the back of Tom Cruise's head because he's been in a fair amount of high-budget schlock and likes to do stunts that would be more readily attributable to someone with construct strength and speed.
Europa Report: I'd already seen this but decided to rewatch it, and I freaking love this movie, highly recommend if you've never seen it. It's a faux documentary of a mission sent to Europa. They encounter a lot of technical difficulties (parts of it are kind of space horror, a lot of characters die) but they are incredibly dedicated to scientific advancement and learning new thing and have this joy about finding life on another planet/moon.
Tau: Netflix movie wherein a dude is kidnapping like homeless people and sex workers (your basic serial killer move of going for the disposable people) so he can map their brains to make AI. There's a back of the neck glowing implant that's useful to my purposes. The kidnap victims stage an escape and most of them get killed (including the black guy, OH MY GOD) so the rest of the movie is a weird power play thing between Scientist Kidnapper and Attractive Blonde Girl. Tau is the name of an AI the guy already built, but finds imperfect, so it's limited to running his house and isn't allowed access to information. Scientist Kidnapper routinely puts Tau in charge of his prisoner so of course she bonds with Tau and gets it to help her in exchange for telling it about the world outside the house and looking up answers to things it wants to know and isn't allowed to read for itself. Ends in satisfying explosions.
Falling Skies: post-apocalyptic series about a semi-official militia of survivors of an alien invasion, starring Noah Wyle as scruffy hot dad protagonist. I'm about 2 seasons in (they're short seasons) and it's actually a lot more frequently about humans fighting amongst themselves than about humans vs. aliens. The mechs might be useful to me (combat bots?) so I keep skimming for big battles. The aliens enslave teenagers with a biotech slug they attach to their spines; unfortunately it is waaaay too big and organic looking to work for what I need, although the kids who have been freed and just have spikes sticking out of their backs might be useful to me. I have a complaint about an antagonist from like the second episode--the plot of that episode was a scout team gets caught by a post-apocalyptic gang of assholes who are like "society's over let's just rape and kill our way to the end" and I was like, oh no, they cast the leader of the gang too pretty, they're gonna keep him aren't they, and sure enough IMDB says he's in 48/50 episodes. I keep being like GOD why do they think they can make the murdering racist rapist a likeable character? And then I remind myself that I do know of post apocalyptic fiction where the good guys just don't put up with that shit: in Meg Elison's Road to Nowhere series, of which I've read Book of the Unnamed Midwife and Book of Etta, there's a lot of post-apocalyptic rape gang bullshit, but the town of Nowhere basically just decided they weren't having it. When people come to trade and offer to sell them their rape slaves, Nowhere executes the rapists and frees the slaves. People who responded to the apocalypse by enslaving and raping other people don't get any passes, they just get dead. So sometimes I watch Falling Skies and think to myself how if the pretty gang leader had showed up in those books, he'd just be dead. "well he saved so and so's life" he's a rapist, shoot him in the head. "he can cook!" don't care he's a rapist kill him. no excuses.
Entry tags:
yard sale
Ordinarily this lot would go directly to Goodwill and that was my plan before everything got shut down but we've had this box sitting in our room for a month and a half now and
echan asked me to do something with it, so here's a handful of stuff that if you want it, I will send it to you for the cost of shipping + $1-5 per item, whatever we agree is reasonable. Obvs you should be careful with incoming packages and wash all clothes you order online, but no one in our household has been sick, if you are concerned about that.
Clothing (of various adult sizes, because
echan and I are shaped very differently):
Ododos brand leggings, size US 2XL (per their size chart, waist 38"), in a black-with-white streak pattern. polyester/spandex, secret pocket. New enough to still have the tag on.
Ododos brand yoga pants, size US L (per their size chart, waist 32"), in a black-with-white streak pattern. polyester/spandex, secret pocket.
Amazing Sports brand leggings, no size info on label, waist about 35" unstretched, space/constellation/nebula pattern. polyester/spandex.
champion knit workout pants, size M, waist about 32" unstretched. Black with grey edging. Cotton/spandex.
unlabelled knit capri length workout pants, appear to match the champion ones above. in black with grey and light green edging. waist about 32" unstretched. Pockets.
Star Wars pajama bottoms, size large, waist about 30" unstretched. patterned with faces of Chewbacca, Yoda, a stormtrooper and Darth Vader on a navy background. 100% cotton.
Merona brand polo t-shirt, size small, in wide horizontal black and grey stripes. 100% cotton.
champion reversible racerback workout bra, black and grey. Small.
champion reversible racerback workout bra, black and abstract blue scale. small.
lane bryant/livi brand workout bra, size 26. lavender blue nylon/spandex. Wore a few times, has been washed.
lane bryant/cacique brand bras, "lightly lined t-shirt no-wire" according to their label. Smooth, firm foam cups for shaping/support. Size 44H. Nylon/spandex/polyamide/elastane. Have several of these, wore them 1-2 times, have been washed. One each of the following colors:
--Navy blue
--cafe mocha (tan)
--pale blue with white stripes and lace
--darker grey-blue with white-green lace
Bags:
orange tote-style purse made out of recycled plastic. 17" wide, 13" deep. snap closure, brown interior fabric lining with zipper pocket on side.
the tiniest fanny pack you ever saw? a Nathan brand running belt: small blue zipper pouch on a stretch strap with a buckle.
Targus brand laptop bag, has been around and is a bit dusty. 18" x 14" x 5", multiple zippered compartments, shoulder strap. Black and grey.
Miscellaneous:
Exploding Kittens: A Card Game for People Who Are Into Kittens And Explosions and Laser Beams and Somtimes Goats. recommended for ages 7+, 2-5 players. Still in original shrinkwrap.
Booklet: Yamaha You and Your Motorcycle: Riding Tips, Motorcycle Skill Test Practice Guide. 81 pages.
USB to micro-USB cable (ie standard charging cable for many android etc devices). black, 4 ft long.
Please reply with your zip code so I can calculate shipping (I can send outside of US but it will probably cost more than you want to spend?) and which items you are requesting, for what $$ offer. Comments are screened.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Clothing (of various adult sizes, because
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Ododos brand leggings, size US 2XL (per their size chart, waist 38"), in a black-with-white streak pattern. polyester/spandex, secret pocket. New enough to still have the tag on.
Ododos brand yoga pants, size US L (per their size chart, waist 32"), in a black-with-white streak pattern. polyester/spandex, secret pocket.
Amazing Sports brand leggings, no size info on label, waist about 35" unstretched, space/constellation/nebula pattern. polyester/spandex.
champion knit workout pants, size M, waist about 32" unstretched. Black with grey edging. Cotton/spandex.
unlabelled knit capri length workout pants, appear to match the champion ones above. in black with grey and light green edging. waist about 32" unstretched. Pockets.
Star Wars pajama bottoms, size large, waist about 30" unstretched. patterned with faces of Chewbacca, Yoda, a stormtrooper and Darth Vader on a navy background. 100% cotton.
Merona brand polo t-shirt, size small, in wide horizontal black and grey stripes. 100% cotton.
champion reversible racerback workout bra, black and grey. Small.
champion reversible racerback workout bra, black and abstract blue scale. small.
lane bryant/livi brand workout bra, size 26. lavender blue nylon/spandex. Wore a few times, has been washed.
lane bryant/cacique brand bras, "lightly lined t-shirt no-wire" according to their label. Smooth, firm foam cups for shaping/support. Size 44H. Nylon/spandex/polyamide/elastane. Have several of these, wore them 1-2 times, have been washed. One each of the following colors:
--Navy blue
--cafe mocha (tan)
--pale blue with white stripes and lace
--darker grey-blue with white-green lace
Bags:
orange tote-style purse made out of recycled plastic. 17" wide, 13" deep. snap closure, brown interior fabric lining with zipper pocket on side.
the tiniest fanny pack you ever saw? a Nathan brand running belt: small blue zipper pouch on a stretch strap with a buckle.
Targus brand laptop bag, has been around and is a bit dusty. 18" x 14" x 5", multiple zippered compartments, shoulder strap. Black and grey.
Miscellaneous:
Exploding Kittens: A Card Game for People Who Are Into Kittens And Explosions and Laser Beams and Somtimes Goats. recommended for ages 7+, 2-5 players. Still in original shrinkwrap.
Booklet: Yamaha You and Your Motorcycle: Riding Tips, Motorcycle Skill Test Practice Guide. 81 pages.
USB to micro-USB cable (ie standard charging cable for many android etc devices). black, 4 ft long.
Please reply with your zip code so I can calculate shipping (I can send outside of US but it will probably cost more than you want to spend?) and which items you are requesting, for what $$ offer. Comments are screened.
(no subject)
people are ... following me today? is there like a meme or something?
(just confused because I hardly ever post and most of the times these days it's locked personal shit not public fannish shit)
hi? did you want to read about my locked personal shit? it's mostly school, depression, and meds?
(just confused because I hardly ever post and most of the times these days it's locked personal shit not public fannish shit)
hi? did you want to read about my locked personal shit? it's mostly school, depression, and meds?
Entry tags:
why i don't talk to people at parties
i was, for a variety of reasons, in the general locale of a party tonight. I sat most of it out listening to an audiobook in the backroom, but at one point I came out to bring dirty dishes to the kitchen and got hugged and drawn into a small circle of drunk people for a few minutes. the friend who had hugged me wandered away, and I ended up talking to this guy who I guess was drunk enough that it was controversial opinion time, or else was just talking to two other guys in the kitchen with the subject boundaries guys draw amongst themselves and didn't register that a woman was present until I objected.
so this guy owns a gym/studio and instructs and performs in a sport where people routinely practice in tights, or other similarly form-fitting garments that would in other situations be construed as underwear. He was describing an incident where a woman instructor he knows at the gym he owns slapped his ass, and he said, "hashtag metoo!", apparently as a joke, and the woman got offended and no longer touches him. The point of this story was that he finds it IRONIC that women demand equality but don't think anything about objectifying men.
"You can't really joke about #MeToo," I said.
He proceeded to explain to me that it was a joke because he's very touchy-feely, a super huggy person, and was not at all actually bothered by her touching him, he just wanted to point out the hypocrisy. And she got OFFENDED, what was that about. Irony, right?
so like. look. i tried to meet him halfway. I responded to the way he'd first told the story. I suggested he had set a boundary, and she was no longer touching him, so she respected the boundary. "It's hard setting a boundary," I said.
He insisted he was not in fact bothered by being touched. He just wanted to point out how IRONIC it was that women in the gym could be waving around his junk like it was no big deal, but if he waved his hands around their boobs, it would blow up.
"Look," I said, "it doesn't sound like you want to wave your hands around their boobs, it sounds like you want a personal space bubble for yourself."
"I have a mom and sisters and i grew up in the midwest where everything is totally about white dudes and I understand that things have not been equal and are not equal now," he said. "I just want to point out the IRONY."
I tried to wander after my friend at this point, but couldn't catch up with her, so I gave up and retired back to the back room.
Here's the things I wish I'd said to him:
#MeToo is not JUST about someone slapping your ass. #MeToo is about being raped. Lesser inappropriate touching comes up in the context of, someone in a position of power did this to me, I don't know if he'll escalate, I don't know if he'll rape me, I don't know what I'll do if he does because position of power. I said you can't really joke about #MeToo because #MeToo is about rape. Do you understand why you can't joke about rape?
When this woman slapped your ass, was that typical of your touchy-feely huggy relationship with her? If yes: that's definitely why she got offended when you accused her of sexual assault. (If no, but you were being honest when you said you were in no way bothered by it, then accusing her of sexual assault was pretty fucking over the top, my dude.)
When this woman slapped your ass, in the gym you own, where, if I understood the story correctly, you employ her, did you feel threatened? Were you afraid she was going to do something else to you? Did your position of power as a man in American society and as a business owner and employer escape you? I mean: there are reasons you might have felt powerless. Maybe you have trauma. Maybe you have a history with this woman you didn't bring up in your story. If you had genuine fear that this woman might touch you in ways you weren't okay with (though you insist the butt slap itself did not bother you) then your "hastag Metoo" comment was appropriate. It also wasn't a joke. And I'm glad for you that she listened and has stopped touching you. And you should stop telling this story the way you're telling it. If your point is actually "men can also be assaulted," go watch some videos of Terry Crews and stop acting like you were joking.
If you didn't have that fear, if you really weren't bothered by the slap, if you were secure in the privilege of your position the entire time, then saying effectively "you sexually assaulted me!" was a pretty shitty thing to do and not remotely a funny joke and you should consider apologizing to this woman. When you understand what you actually did.
If what happened was somewhere in the middle, if maybe you didn't feel fear of assault but you weren't completely unbothered, you felt objectified or uncomfortable, consider setting boundaries with something other than "you sexually assaulted me!" Consider finding your goddamn words and saying, "Hey, that's not okay, I don't appreciate being touched that way. I'm fine with hugging, and with sport/performance-related touching, but that was gratuitous and inappropriate and I didn't like it." the more specific you are, the more likely you are to be able to have the relationship you want. It's pretty unlikely she would have gotten offended if you'd just told her you didn't like her slapping your butt. It's not too late to do this. You can tell her you didn't really think through the implications of what you said to her, and you didn't actually feel sexually assaulted, but you didn't like getting your ass slapped and that's all you really wanted to ask her to stop. If you throw in a legitimate "sorry" she might stop being offended and consider hugging you again.
---
I'm tired of thinking about this. Maybe now that I've written it all out I can go the fuck to bed.
so this guy owns a gym/studio and instructs and performs in a sport where people routinely practice in tights, or other similarly form-fitting garments that would in other situations be construed as underwear. He was describing an incident where a woman instructor he knows at the gym he owns slapped his ass, and he said, "hashtag metoo!", apparently as a joke, and the woman got offended and no longer touches him. The point of this story was that he finds it IRONIC that women demand equality but don't think anything about objectifying men.
"You can't really joke about #MeToo," I said.
He proceeded to explain to me that it was a joke because he's very touchy-feely, a super huggy person, and was not at all actually bothered by her touching him, he just wanted to point out the hypocrisy. And she got OFFENDED, what was that about. Irony, right?
so like. look. i tried to meet him halfway. I responded to the way he'd first told the story. I suggested he had set a boundary, and she was no longer touching him, so she respected the boundary. "It's hard setting a boundary," I said.
He insisted he was not in fact bothered by being touched. He just wanted to point out how IRONIC it was that women in the gym could be waving around his junk like it was no big deal, but if he waved his hands around their boobs, it would blow up.
"Look," I said, "it doesn't sound like you want to wave your hands around their boobs, it sounds like you want a personal space bubble for yourself."
"I have a mom and sisters and i grew up in the midwest where everything is totally about white dudes and I understand that things have not been equal and are not equal now," he said. "I just want to point out the IRONY."
I tried to wander after my friend at this point, but couldn't catch up with her, so I gave up and retired back to the back room.
Here's the things I wish I'd said to him:
#MeToo is not JUST about someone slapping your ass. #MeToo is about being raped. Lesser inappropriate touching comes up in the context of, someone in a position of power did this to me, I don't know if he'll escalate, I don't know if he'll rape me, I don't know what I'll do if he does because position of power. I said you can't really joke about #MeToo because #MeToo is about rape. Do you understand why you can't joke about rape?
When this woman slapped your ass, was that typical of your touchy-feely huggy relationship with her? If yes: that's definitely why she got offended when you accused her of sexual assault. (If no, but you were being honest when you said you were in no way bothered by it, then accusing her of sexual assault was pretty fucking over the top, my dude.)
When this woman slapped your ass, in the gym you own, where, if I understood the story correctly, you employ her, did you feel threatened? Were you afraid she was going to do something else to you? Did your position of power as a man in American society and as a business owner and employer escape you? I mean: there are reasons you might have felt powerless. Maybe you have trauma. Maybe you have a history with this woman you didn't bring up in your story. If you had genuine fear that this woman might touch you in ways you weren't okay with (though you insist the butt slap itself did not bother you) then your "hastag Metoo" comment was appropriate. It also wasn't a joke. And I'm glad for you that she listened and has stopped touching you. And you should stop telling this story the way you're telling it. If your point is actually "men can also be assaulted," go watch some videos of Terry Crews and stop acting like you were joking.
If you didn't have that fear, if you really weren't bothered by the slap, if you were secure in the privilege of your position the entire time, then saying effectively "you sexually assaulted me!" was a pretty shitty thing to do and not remotely a funny joke and you should consider apologizing to this woman. When you understand what you actually did.
If what happened was somewhere in the middle, if maybe you didn't feel fear of assault but you weren't completely unbothered, you felt objectified or uncomfortable, consider setting boundaries with something other than "you sexually assaulted me!" Consider finding your goddamn words and saying, "Hey, that's not okay, I don't appreciate being touched that way. I'm fine with hugging, and with sport/performance-related touching, but that was gratuitous and inappropriate and I didn't like it." the more specific you are, the more likely you are to be able to have the relationship you want. It's pretty unlikely she would have gotten offended if you'd just told her you didn't like her slapping your butt. It's not too late to do this. You can tell her you didn't really think through the implications of what you said to her, and you didn't actually feel sexually assaulted, but you didn't like getting your ass slapped and that's all you really wanted to ask her to stop. If you throw in a legitimate "sorry" she might stop being offended and consider hugging you again.
---
I'm tired of thinking about this. Maybe now that I've written it all out I can go the fuck to bed.
Entry tags:
fic: Catch Lightning in a Bottle
I posted some fic last night! Yay!
Catch Lightning in a Bottle, on AO3, by
jmtorres
Fandom: Good Omens
Word Count: 1632
Rating: E
Pairing: Aziraphale/Crowley
Additional Tags: PWP, Crowley Grudgingly Has A Penis Today, just a coupla queer masc nb angels, neural stimulation, neural sex, psychic sex?, making an effort sounds like work, Aziraphale has an Idea, Dom/sub Undertones, Crowley is a somewhat uncommunicative submissive, Overstimulation, Forced Orgasm, grey-A characters having complicated feels about sexual body parts, sexy sexy physiology, Coming Untouched, A Tiny Bit of Praise Kink
Summary: Crowley's not that into manifesting genitals, but Aziraphale's really into giving Crowley orgasms, so he works on a compromise.
just some light ethereal/occult sex experiments for your casual reading
( story on DW if you prefer to read here )
Catch Lightning in a Bottle, on AO3, by
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Fandom: Good Omens
Word Count: 1632
Rating: E
Pairing: Aziraphale/Crowley
Additional Tags: PWP, Crowley Grudgingly Has A Penis Today, just a coupla queer masc nb angels, neural stimulation, neural sex, psychic sex?, making an effort sounds like work, Aziraphale has an Idea, Dom/sub Undertones, Crowley is a somewhat uncommunicative submissive, Overstimulation, Forced Orgasm, grey-A characters having complicated feels about sexual body parts, sexy sexy physiology, Coming Untouched, A Tiny Bit of Praise Kink
Summary: Crowley's not that into manifesting genitals, but Aziraphale's really into giving Crowley orgasms, so he works on a compromise.
just some light ethereal/occult sex experiments for your casual reading
( story on DW if you prefer to read here )
Entry tags:
radio good omens
i listened to the 2014 radio adaptation of Good Omens; some variations:
–so radio’s solution to all the important stuff in the narration was to cram it into dialogue, mostly. Crowley talks about himself ALL THE TIME because how else would you know he has a watch that can tell the time in 20 cities and also Hell. He casually tells Aziraphale about the time he slept all century including the part where he got up to go to the lav in 1832. (I am just picturing Aziraphale’s … face.) Also he talks himself through like all of his actions, from watering his plants to getting holy water out of his safe.
–in order to get Aziraphale’s rare Bible collection out of book narration into dialogue, he and Crowley quote the Buggre Alle This Bible at each other, including the bit about “where is the flaming sword I gave unto thee” which Crowley takes great glee in Aziraphale’s embarrassment about
–Agnes Nutter takes on part of the narration (and actually talks to Adam at one point). Also the opening bit about when the earth was created, those are Aziraphale’s notes in I don’t know what monograph he’s writing but, *snicker*
–Aziraphale has caller ID?? so there’s a bit where Crowley calls him (I forget which phone call it is; he doesn’t call from the road about Armageddon at the beginning, he just shows up at the shop the next morning). anyway Aziraphale answers the phone, “Crowley,” and Crowley asks how’d you know it was me, and Aziraphale snarks at him about his longstanding ability to anticipate his age-old enemy, and also that he has caller ID. (I’m so doubtful. I’d be more likely to believe Aziraphale never gave his phone number to anyone but Crowley, so Crowley is literally the only person who ever calls him.)
–their Arrangement seems much more “we do stuff with each other all the time, we’ve basically blown off Heaven and Hell entirely, we literally state our goal is to maintain the status quo” like there’s much less of the….? like? reticence/denial that shows up in the show. i mean also the huge chunk of how their relationship across history was expanded in the show was not in the radio version, because it’s not exactly spelled out that way in the book either. but like, Aziraphale needs much less convincing to go in on plan stop the antichrist, and weirdly their motivation about loving the world seems much more selfish?
–Aziraphale and Crowley spot the Dowling household’s ads in the paper for nanny and gardener, and Aziraphale dibs gardener. Crowley complains about “have you ever seen me in a dress” and Aziraphale replies “Culloden, 1745” so there’s a new one for the femme Crowley fan artists (please?)
–if you are into Nanny Ashtoreth/Brother Francis and/or how they basically raised Warlock, listen to the first episode at least! they are SUPER terrible at staying in character and just like directly bicker with each other over Warlock’s head
–Crowley is smart/pragmatic enough to just drop the ansaphone tape with Hastur on it into the Ligur-holy-water puddle, so no more Hastur
–Crowley complains about Hell not telling him the M25 was more than like, vandalism. he was not expecting it to burst into flames me thinks
–the other four horsepersons are in the radio adaptation, if you were missing them from the show. as far as I recall the book (having listened to it twice recently, lol) their scenes are very faithful.
–oh hey you know that scene in the book when Aziraphale is trying to find someone to possess before he finds Madame Tracy, he ends up in a televangelist talking about rapture and is very judgmental about that? crowley hears his broadcast interruption on the radio. it’s kind of sweet. (you have to assume the Bentley is just tuned to Aziraphale, because how else does its radio randomly pick up live tv from America.)
–Pepper gives Adam the pep talk that helps him overcome Satan! It is about choosing things for oneself and how she chose to be Pepper and not Pippin Galadriel Moonchild. It is super sweet.
–the audible version I listened to has a gag reel attached, including Crowley-actor’s completely inability to pronounce Crowley with the long-O sound as gneil intended.
cross-posted from tumblr
–so radio’s solution to all the important stuff in the narration was to cram it into dialogue, mostly. Crowley talks about himself ALL THE TIME because how else would you know he has a watch that can tell the time in 20 cities and also Hell. He casually tells Aziraphale about the time he slept all century including the part where he got up to go to the lav in 1832. (I am just picturing Aziraphale’s … face.) Also he talks himself through like all of his actions, from watering his plants to getting holy water out of his safe.
–in order to get Aziraphale’s rare Bible collection out of book narration into dialogue, he and Crowley quote the Buggre Alle This Bible at each other, including the bit about “where is the flaming sword I gave unto thee” which Crowley takes great glee in Aziraphale’s embarrassment about
–Agnes Nutter takes on part of the narration (and actually talks to Adam at one point). Also the opening bit about when the earth was created, those are Aziraphale’s notes in I don’t know what monograph he’s writing but, *snicker*
–Aziraphale has caller ID?? so there’s a bit where Crowley calls him (I forget which phone call it is; he doesn’t call from the road about Armageddon at the beginning, he just shows up at the shop the next morning). anyway Aziraphale answers the phone, “Crowley,” and Crowley asks how’d you know it was me, and Aziraphale snarks at him about his longstanding ability to anticipate his age-old enemy, and also that he has caller ID. (I’m so doubtful. I’d be more likely to believe Aziraphale never gave his phone number to anyone but Crowley, so Crowley is literally the only person who ever calls him.)
–their Arrangement seems much more “we do stuff with each other all the time, we’ve basically blown off Heaven and Hell entirely, we literally state our goal is to maintain the status quo” like there’s much less of the….? like? reticence/denial that shows up in the show. i mean also the huge chunk of how their relationship across history was expanded in the show was not in the radio version, because it’s not exactly spelled out that way in the book either. but like, Aziraphale needs much less convincing to go in on plan stop the antichrist, and weirdly their motivation about loving the world seems much more selfish?
–Aziraphale and Crowley spot the Dowling household’s ads in the paper for nanny and gardener, and Aziraphale dibs gardener. Crowley complains about “have you ever seen me in a dress” and Aziraphale replies “Culloden, 1745” so there’s a new one for the femme Crowley fan artists (please?)
–if you are into Nanny Ashtoreth/Brother Francis and/or how they basically raised Warlock, listen to the first episode at least! they are SUPER terrible at staying in character and just like directly bicker with each other over Warlock’s head
–Crowley is smart/pragmatic enough to just drop the ansaphone tape with Hastur on it into the Ligur-holy-water puddle, so no more Hastur
–Crowley complains about Hell not telling him the M25 was more than like, vandalism. he was not expecting it to burst into flames me thinks
–the other four horsepersons are in the radio adaptation, if you were missing them from the show. as far as I recall the book (having listened to it twice recently, lol) their scenes are very faithful.
–oh hey you know that scene in the book when Aziraphale is trying to find someone to possess before he finds Madame Tracy, he ends up in a televangelist talking about rapture and is very judgmental about that? crowley hears his broadcast interruption on the radio. it’s kind of sweet. (you have to assume the Bentley is just tuned to Aziraphale, because how else does its radio randomly pick up live tv from America.)
–Pepper gives Adam the pep talk that helps him overcome Satan! It is about choosing things for oneself and how she chose to be Pepper and not Pippin Galadriel Moonchild. It is super sweet.
–the audible version I listened to has a gag reel attached, including Crowley-actor’s completely inability to pronounce Crowley with the long-O sound as gneil intended.
cross-posted from tumblr
Entry tags:
as usual, posting fic with tongue firmly in cheek
I posted a Good Omens fic! It is silly.
The Thousand Natural Shocks That Flesh Is Heir To by
jmtorres
Fandom: Good Omens
Pairing: Aziraphale/Crowley
Rating: Mature
Additional tags: just a coupla queer masc nb angels, kinky-ass humaning, the lube/not lube game
Word Count: 1379
Summary: It's an experiment they talked about; teased each other with, once they realized they were both a bit turned on by the thought of the restriction. To be human, limited and mortal, and to experience sex that way, fully embodied.
Explanation:
ariaste posted an essay on lube in Good Omens fic that made me ponder under what circumstances Aziraphale and Crowley might actually need to think about lube. The answer I came up with was "kinky-ass humaning."
The Thousand Natural Shocks That Flesh Is Heir To by
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Fandom: Good Omens
Pairing: Aziraphale/Crowley
Rating: Mature
Additional tags: just a coupla queer masc nb angels, kinky-ass humaning, the lube/not lube game
Word Count: 1379
Summary: It's an experiment they talked about; teased each other with, once they realized they were both a bit turned on by the thought of the restriction. To be human, limited and mortal, and to experience sex that way, fully embodied.
Explanation:
Entry tags:
good omens series/book observations
I saw the whole series with
stariceling a... couple of week ago? And also I watched half the series with my family on father's day before leaving my prime logged in on their roku so they could finish it. and also I watched a bunch of it with
niqaeli. Also I listened to the book on the drive to and from visiting
niqaeli, which was interesting; the series is a VERY faithful adaptation to the point that I've started filling in things from one to the other and was startled upon rewatch that certain book bits were not in the show. ( spoilers? ) I don't particularly have a preference for one version over the other but that might be because my brain seems to be classifying them as the same thing, essentially.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(no subject)
headache today, which fortunately waited until after I was done with homework to descend. It feel sinusy? except the parts where it also flashes into my scalp and the hinge of jaw sometimes? a little bit migrainey, noises and the sun were not helping it. nsaid didn't do much about it. suspect it is a rexulti withdrawal headache, despite my desire to attribute it to other things I could more immediately treat.
now that I have high hopes of getting an A in the class, I am having some of the old anxiety about the subjective part of the points, ie the discussion questions. the prof gave me full points on the last discussion question so I felt like I had to Live Up to Expectations or something? that was getting in the way of me working on it at all. I had to remind myself that it is okay to half-ass stuff, half-assing an assignment is better than not doing it, it's okay if I don't get full points on this discussion question, it might not even prevent me from getting an A if my test scores stay high.
it's after two in the morning which is about when I've been getting the sleep the last few days--last night I tried to go down at midnight but belched with GERD for three hours. Mind you now that I'm trying to write an entry I'm yawning my face off. I would like to shift my sleep schedule back so I could have actual mornings, but I am relieved that the current trend is ~8 hours a night instead of the 11ish when I was taking rexulti or the the like, 17 from a few bad days of the withdrawal.
I have an Audible account and enjoy listening to audiobooks, but I have a bad habit of buying a bunch of things during sales and then not listening to them until almost the end of the return period, which is a year. So right now I'm trying out a bunch of titles I bought last June and groaning to myself over my sale lots from july and august as well.
Stuff I've chucked back:
--The House of the Spirits, Isabelle Allende. When I bought this I had just binged all of Jane the Virgin, but I'm not longer in that fannish headspace? Because it's a year later. I did listen to about ten minutes or so to see if it would grab me, but it did not, and also had mention of someone in a cage encrusted in his own filth within that first ten minutes, and even assuming things would get better for that character, that just... wasn't quite working for me.
--The Stars my Destination, Alfred Bester. I knew very little about this but I occasionally expose myself to classic sci-fi just because, like, roots? This edition had a forward talking about the history of science fiction and how it ages, by Neil Gaiman I'm pretty sure they said, and the forward referred to the protagonist of this book as a predator, a killer and a rapist. Welp, that's very clear, thank you for the warning label, I said, and noped out.
--Existence, David Brin. I actually listened to several hours of this while driving to Phoenix recently, and I wasn't originally going to chuck it because nothing about it bothered me, but I also realized nothing about it grabbed me, either? There were it seemed like a dozen viewpoint characters and I didn't care about any of them, so.
--Somebody Tell Aunt Tillie She's Dead, Christiana Miller. I listened to the first few chapters and was super uncomfortable with how rac(ism) played in a confrontation between the white wicca protagonist and her latina Catholic landlady. Also the best friend was kind of painfully stereotypically flamboyantly gay.
--annnnnnnd safari ate half the entry because I went out to twitter to find a link so the rest of this is going to be much more abbreviated than it was before.
--The Invisible Library, Genevieve Cogman. I disliked the narrator, who made it sound as if every sentence ended with three exclamation marks, but I enjoyed the book when I checked out a hard copy from the library.
Stuff I'm keeping:
--The Golem and the Jinni, Helene Wecker. Rocky start, as before the Golem became conscious our viewpoint character was the creep who wanted to buy a golem for a wife, but he died very immediately and now she's a free golem with no master to give her orders, and I am excited to find out what happens to her next.
--The Light Brigade, Kameron Hurley. I am a sucker for time travel stuff and this loops interestingly. The final piece of causality I did not see coming, but it fit neatly.
--Fortune's Rising, Sara King. I only listened to maybe half an hour of this, but I liked the scifi premise it set up, colony world finds brain-enhancing drug, suddenly their entire economy is producing the drug and sending it back home.
--Nevermoor: The Trials of Morrigan Crow, Jessica Townsend. I listened to the whole book and bought the sequel because I couldn't put it down. 11-yr-old protagonist but apparently coming of age/kid's adventure is still a favorite genre of mine.
--The Traitor Baru Cormorant, Seth Dickinson
--The Book of the Unnamed Midwife, Meg Elison. Apocafic with plenty of dark stuff but like, queer characters EVERYWHERE. the narrator is gender-nonconforming and bisexual. I bought the sequel.
Stuff I need to listen to soonish:
--Servant of the Underworld, Aliette de Bodard--Aztec murder mystery if I recall correctly.
--Cold Magic, Kate Elliott. this one and the de Bodard were recced to me when I asked twitter for alternate history novels where Native Americans/First Nations peoples weren't colonized but were instead political players among world governments.
--Apocalypse Nyx, Kameron Hurley--I think this is short stories in the Bel Dame Apocrypha universe.
--A Perilous Undertaking, Deanna Raybourn. Sequel to A Curious Beginning, which I liked--a young Victorian lady figures out the socially acceptable way for her to Do Science and Travel and stuff is to study butterflies. There's also political intrigue.
--The Sparrow, Mary Doria Russell
--Grass, Sheri Tepper
--Dreamer's Pool, Juliet Marillier
--Tooth and Claw, Jo Walton
--Graveyard Book, Neil Gaiman
--Android's Dream, John Scalzi
--Fuzzy Nation, John Scalzi
--Agent to the Stars, John Scalzi there was a sale okay. I recognize I'm going to have to figure out how much I actually like John Scalzi in the next couple of months.
--Imajica, Clive Barker
--Soulless, Gail Carriger
--Broken Monsters, Lauren Beukes
--Vicious, VE Schwab
That's the list through September anyway. Tell me what I should listen to soonest (after I finish the ones I'm in progress on).
now that I have high hopes of getting an A in the class, I am having some of the old anxiety about the subjective part of the points, ie the discussion questions. the prof gave me full points on the last discussion question so I felt like I had to Live Up to Expectations or something? that was getting in the way of me working on it at all. I had to remind myself that it is okay to half-ass stuff, half-assing an assignment is better than not doing it, it's okay if I don't get full points on this discussion question, it might not even prevent me from getting an A if my test scores stay high.
it's after two in the morning which is about when I've been getting the sleep the last few days--last night I tried to go down at midnight but belched with GERD for three hours. Mind you now that I'm trying to write an entry I'm yawning my face off. I would like to shift my sleep schedule back so I could have actual mornings, but I am relieved that the current trend is ~8 hours a night instead of the 11ish when I was taking rexulti or the the like, 17 from a few bad days of the withdrawal.
I have an Audible account and enjoy listening to audiobooks, but I have a bad habit of buying a bunch of things during sales and then not listening to them until almost the end of the return period, which is a year. So right now I'm trying out a bunch of titles I bought last June and groaning to myself over my sale lots from july and august as well.
Stuff I've chucked back:
--The House of the Spirits, Isabelle Allende. When I bought this I had just binged all of Jane the Virgin, but I'm not longer in that fannish headspace? Because it's a year later. I did listen to about ten minutes or so to see if it would grab me, but it did not, and also had mention of someone in a cage encrusted in his own filth within that first ten minutes, and even assuming things would get better for that character, that just... wasn't quite working for me.
--The Stars my Destination, Alfred Bester. I knew very little about this but I occasionally expose myself to classic sci-fi just because, like, roots? This edition had a forward talking about the history of science fiction and how it ages, by Neil Gaiman I'm pretty sure they said, and the forward referred to the protagonist of this book as a predator, a killer and a rapist. Welp, that's very clear, thank you for the warning label, I said, and noped out.
--Existence, David Brin. I actually listened to several hours of this while driving to Phoenix recently, and I wasn't originally going to chuck it because nothing about it bothered me, but I also realized nothing about it grabbed me, either? There were it seemed like a dozen viewpoint characters and I didn't care about any of them, so.
--Somebody Tell Aunt Tillie She's Dead, Christiana Miller. I listened to the first few chapters and was super uncomfortable with how rac(ism) played in a confrontation between the white wicca protagonist and her latina Catholic landlady. Also the best friend was kind of painfully stereotypically flamboyantly gay.
--annnnnnnd safari ate half the entry because I went out to twitter to find a link so the rest of this is going to be much more abbreviated than it was before.
--The Invisible Library, Genevieve Cogman. I disliked the narrator, who made it sound as if every sentence ended with three exclamation marks, but I enjoyed the book when I checked out a hard copy from the library.
Stuff I'm keeping:
--The Golem and the Jinni, Helene Wecker. Rocky start, as before the Golem became conscious our viewpoint character was the creep who wanted to buy a golem for a wife, but he died very immediately and now she's a free golem with no master to give her orders, and I am excited to find out what happens to her next.
--The Light Brigade, Kameron Hurley. I am a sucker for time travel stuff and this loops interestingly. The final piece of causality I did not see coming, but it fit neatly.
--Fortune's Rising, Sara King. I only listened to maybe half an hour of this, but I liked the scifi premise it set up, colony world finds brain-enhancing drug, suddenly their entire economy is producing the drug and sending it back home.
--Nevermoor: The Trials of Morrigan Crow, Jessica Townsend. I listened to the whole book and bought the sequel because I couldn't put it down. 11-yr-old protagonist but apparently coming of age/kid's adventure is still a favorite genre of mine.
--The Traitor Baru Cormorant, Seth Dickinson
--The Book of the Unnamed Midwife, Meg Elison. Apocafic with plenty of dark stuff but like, queer characters EVERYWHERE. the narrator is gender-nonconforming and bisexual. I bought the sequel.
Stuff I need to listen to soonish:
--Servant of the Underworld, Aliette de Bodard--Aztec murder mystery if I recall correctly.
--Cold Magic, Kate Elliott. this one and the de Bodard were recced to me when I asked twitter for alternate history novels where Native Americans/First Nations peoples weren't colonized but were instead political players among world governments.
--Apocalypse Nyx, Kameron Hurley--I think this is short stories in the Bel Dame Apocrypha universe.
--A Perilous Undertaking, Deanna Raybourn. Sequel to A Curious Beginning, which I liked--a young Victorian lady figures out the socially acceptable way for her to Do Science and Travel and stuff is to study butterflies. There's also political intrigue.
--The Sparrow, Mary Doria Russell
--Grass, Sheri Tepper
--Dreamer's Pool, Juliet Marillier
--Tooth and Claw, Jo Walton
--Graveyard Book, Neil Gaiman
--Android's Dream, John Scalzi
--Fuzzy Nation, John Scalzi
--Agent to the Stars, John Scalzi there was a sale okay. I recognize I'm going to have to figure out how much I actually like John Scalzi in the next couple of months.
--Imajica, Clive Barker
--Soulless, Gail Carriger
--Broken Monsters, Lauren Beukes
--Vicious, VE Schwab
That's the list through September anyway. Tell me what I should listen to soonest (after I finish the ones I'm in progress on).
vidding
need to remember not to catch up on tumblr before sitting down to vid, because I need something to do while rendering occurs.
fcp crapped out on me about an hour ago and so far has opened the project 20% of the way. I had hoped to see before bedtime how much of my progress the crash ate. Grr, argh.
fcp crapped out on me about an hour ago and so far has opened the project 20% of the way. I had hoped to see before bedtime how much of my progress the crash ate. Grr, argh.
vid updating
It's taken me nearly three months but I have managed to update all of the links to all of my vids from my journal and on ao3. (I think. I mean, tell me if you find a broken link now!)
full listing of vids on ao3
i've made a lot of vids. frankly more than i had realized. it's that whole passage of time thing...
full listing of vids on ao3
i've made a lot of vids. frankly more than i had realized. it's that whole passage of time thing...
Entry tags:
blast from the past
coming to you from circa 2000 CE and 2000 BCE, a Highlander vid.
This is a vid I started making in 2003 with a song I got from an SG1 Daniel Jackson vid about his delusions of world domination in Absolute Power by Rhian, which you can find on their website even after all these years, and with footage captured from SpikeTV Highlander reruns (I was not in the fandom in the heyday of its broadcast airing. I came later). It's about Methos, Cassandra, the Four Horsemen, rape, change, time, parallels, stuff. In 2004 I took it to
vividcon for critique and advice in Vividsection. I never finished the vid, though I made a stab and incorporating some of the suggestions I got about long shots and talky faces when I recut the bulk of it with DVD rip footage sometime in, *checks file dates* 2009.
I've been updating my vid links and posting old vids to AO3 as I've made them available, and I felt like, this was such a high percentage of a vid I'd like to go ahead and post it. I'm gonna post two versions--the Neat version and the Dirty version.
The neat version, which is the remastered major part of the vid, is viewable on its own as a complete vid in and of itself. The dirty version is most closely related to the version that went to Vividsection, with all the SpikeTV logos but also with the remastered version coscreened for comparison. There's over a minute extra of footage, some of which I am very proud of technically (there's a long sequence of things divided on the overlaid line of Methos's blue facepaint), especially considering the first cut was in iMovie, and I think the dirty version is metatextually interesting. But I suspect the reason I never finished remastering the clean version to longer than it is is that that section of the vid is a strong, tight vid by itself, and *checks calendar* fifteen years ago the main thing I was suffering from was the idea that you had to use the entirety of a song for a vid or it was cheating, when cutting it was the right thing to do. (the song is about 30 seconds longer than even the dirty version, and has a long fadeout, the worst kind of ending to fight with for a vid. it's no wonder I could never fill that timeline.)
It's a vid!
Ordinary Boy (neat)--the standalone version with clean footage, 39.3MB MP4
Ordinary Boy (dirty)--an unfinished WIP mess, presented for interest in vidding technical details, 53.6MB mp4
Fandom: Highlander
Song: Ordinary Boy by Adam Pascal
Vidder:
jmtorres
Warnings: like, nothing that's not in canon, but this is the two-parter about when Methos and his fellow horsemen were raping and pillaging their way across Mesopotamia, so, a fair amount of violence, some of it sexual.
Cross-posting to
houseoftorres and AO3.
This is a vid I started making in 2003 with a song I got from an SG1 Daniel Jackson vid about his delusions of world domination in Absolute Power by Rhian, which you can find on their website even after all these years, and with footage captured from SpikeTV Highlander reruns (I was not in the fandom in the heyday of its broadcast airing. I came later). It's about Methos, Cassandra, the Four Horsemen, rape, change, time, parallels, stuff. In 2004 I took it to
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
I've been updating my vid links and posting old vids to AO3 as I've made them available, and I felt like, this was such a high percentage of a vid I'd like to go ahead and post it. I'm gonna post two versions--the Neat version and the Dirty version.
The neat version, which is the remastered major part of the vid, is viewable on its own as a complete vid in and of itself. The dirty version is most closely related to the version that went to Vividsection, with all the SpikeTV logos but also with the remastered version coscreened for comparison. There's over a minute extra of footage, some of which I am very proud of technically (there's a long sequence of things divided on the overlaid line of Methos's blue facepaint), especially considering the first cut was in iMovie, and I think the dirty version is metatextually interesting. But I suspect the reason I never finished remastering the clean version to longer than it is is that that section of the vid is a strong, tight vid by itself, and *checks calendar* fifteen years ago the main thing I was suffering from was the idea that you had to use the entirety of a song for a vid or it was cheating, when cutting it was the right thing to do. (the song is about 30 seconds longer than even the dirty version, and has a long fadeout, the worst kind of ending to fight with for a vid. it's no wonder I could never fill that timeline.)
It's a vid!
Ordinary Boy (neat)--the standalone version with clean footage, 39.3MB MP4
Ordinary Boy (dirty)--an unfinished WIP mess, presented for interest in vidding technical details, 53.6MB mp4
Fandom: Highlander
Song: Ordinary Boy by Adam Pascal
Vidder:
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Warnings: like, nothing that's not in canon, but this is the two-parter about when Methos and his fellow horsemen were raping and pillaging their way across Mesopotamia, so, a fair amount of violence, some of it sexual.
Cross-posting to
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
(no subject)
spent this week ping-ponging back and forth between writing fanfic and doing homework. Usually after a lot of homework my brain is too tired to write, so I gave into the temptation to start writing early in the day and blow off homework a few times. Then did four chapters of homework in one day on Friday to catch up.
I have over 4000 words of fic written and it's getting long enough that it's starting to be a pain that I'm using the notes app on ipad, because scrolling. Also it's getting long enough that I want to post it and have feedback (well, more feedback than
enemyofperfect, who is an excellent alpha reader and has been squeeing line by line) but it's definitely not a whole story yet. Like I'm not even to the main part of the story based on the rough outline I have in various chat logs. Like, even if I decided to chapter it and post it as a WIP, which is a terrible idea, I want to be able to revise it as I get further along, I think I currently have a prologue and about half a chapter. I am bursting at the seams to be able to share this fanfic and I can't write fast enough to satisfy the urge. creativity is hard.
There is a test that opens tomorrow and closes May 5th, and
niqaeli will be here for much of that time so I'm arguing with myself about my weekend as a weekend vs studying a lot tomorrow to take it before she comes and not have it hanging over my head. Realistically I won't want to be studying while she's here, and I won't have a lot of time after she leaves either, I have another social engagement, a screening of Amelie with
jetpack_monkey on May 4th.
Also I want to be vidding. I feel like the Magicians vid I have half of on the timeline has a very limited shelflife and I need to get it out soon, but I haven't actively worked on it in weeks. Because school, and writing, and the show itself being a big downer.
I have over 4000 words of fic written and it's getting long enough that it's starting to be a pain that I'm using the notes app on ipad, because scrolling. Also it's getting long enough that I want to post it and have feedback (well, more feedback than
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
There is a test that opens tomorrow and closes May 5th, and
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Also I want to be vidding. I feel like the Magicians vid I have half of on the timeline has a very limited shelflife and I need to get it out soon, but I haven't actively worked on it in weeks. Because school, and writing, and the show itself being a big downer.
Entry tags:
(no subject)
so i clicked on a thing on tumblr in a sort of "why the hell not" gesture and now I have an actual invite (non-transferable, they want govt ID, good thing I used my wallet name email) to a She-ra screening at Dreamworks in two days but you know, just me, not me and a friend, even if I had friends who weren't like, at work on a Thursday.
I don't know how to go alone to fannish/promotional events, I will now have an existential crisis about this purely optional thing I signed up for.
I don't know how to go alone to fannish/promotional events, I will now have an existential crisis about this purely optional thing I signed up for.
Entry tags:
(no subject)
so i'm contemplating working on that magicians vid about how it's like getting punched in the face,,, I need to look through footage and see if there's ever a shot of Kady's fist just coming at the camera
Entry tags:
(no subject)
so I was binging Magicians just as s4 was starting, and I had the incredible experience of surfing a wave of fannish zeitgeist with the peaches and plums thing. And I'd been working on this vid that encapsulated that experience, and then this last week in Magicians fandom happened seemingly negating the slash pairing everyone was so excited about by putting a het pairing back together. and like, I went welp I'm checking out of Magicians fandom this week I don't even want to hear the wails.
except I didn't? Like I basically went to all the fannish social media I normally do, just prepared to be really detached. and the weirdest thing happened, I didn't see anyone being mad or betrayed or heartbroken about the episode, not in a pure sense. I saw a bunch of people reacting like their feeds were full of that, but all I got was the world-weary "I knew this wasn't going to last, and you should've known too."
(I'm not sure that's true? This show has already done several things with fandom's fave slash pairing that wouldn't have happened on TV ten or twenty years ago? Like, no, I didn't know it wasn't going to last, and I'm not being naive to be hopeful about an astonishing trend continuing.)
anyway I'm,,,, kind of meh about working on the vid now. I am Quentin Coldwater ranting at the plant of Fillory love about how it just isn't enough. Like, I don't want to capture the experience of being swept up in the moment and then let down; but I also feel like the time for the vid just about being swept up in the moment has passed.
anyway, I don't know, maybe something will happen in 4x13 to turn things around; my personal experience of this show has been so foreshortened and immediate that if it takes until next season to fix things I might not be here anymore. But i still have my fingers halfway crossed for another barrage of peaches and plums next week. I don't want to know better.
except I didn't? Like I basically went to all the fannish social media I normally do, just prepared to be really detached. and the weirdest thing happened, I didn't see anyone being mad or betrayed or heartbroken about the episode, not in a pure sense. I saw a bunch of people reacting like their feeds were full of that, but all I got was the world-weary "I knew this wasn't going to last, and you should've known too."
(I'm not sure that's true? This show has already done several things with fandom's fave slash pairing that wouldn't have happened on TV ten or twenty years ago? Like, no, I didn't know it wasn't going to last, and I'm not being naive to be hopeful about an astonishing trend continuing.)
anyway I'm,,,, kind of meh about working on the vid now. I am Quentin Coldwater ranting at the plant of Fillory love about how it just isn't enough. Like, I don't want to capture the experience of being swept up in the moment and then let down; but I also feel like the time for the vid just about being swept up in the moment has passed.
anyway, I don't know, maybe something will happen in 4x13 to turn things around; my personal experience of this show has been so foreshortened and immediate that if it takes until next season to fix things I might not be here anymore. But i still have my fingers halfway crossed for another barrage of peaches and plums next week. I don't want to know better.
(no subject)
it is incredibly difficult to tell the difference between "I'm sick and don't feel like doing anything/should rest until I recover" and "executive function has not switched on for the day"