Entry tags:
slashgen or preslash
I wish people didn't feel like everything needed a pairing label. Also, just because you're slashing them in your own head, it doesn't necessarily come out that way in fic: Cas being a stalker is kind of canon, it's not necessarily a pairing thing. I say this because I am getting sort of frustrated at reading things that are supposedly a particular pairing and then nothing pairing-like happens. I've started getting excited at seeing NC-17 in the labels not because I'm particularly interested in reading about them having sex but because it means I can fairly reliably expect them to be having an actual relationship and not just burgers. Not that I'm not up for cute burger-eating fluff, but it's gen and it's misleading to claim it's not.
*sigh*
*sigh*
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But it's probably relevant that I hate the usage of gen that is no-romance, myself. It's insane to argue that romantic human relationships don't, you know, happen all the time. If the focus isn't on the pairing, honestly, it's gen.
This is just me, though. I speak for no one but my own damned self.
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Like, is preslash gen? Yes, yes it is. But it is a species of gen which perhaps a slash audience would particularly like and would like to be made aware of.
I certainly prefer it being called preslash to being called slash. If nothing happens, there is no slash!
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*nods* When it comes to certain fandoms and pairings, I definitely have a preference for slash-friendly gen. And I always like it when I know an author shares my shipping preferences. Even gen can be written through the lens of an OTP -- shipping is about more than overt sex and romance. It's also about which character serves as another character's emotional lynchpin. And reading genfic where the wrong character is Character's A Most Important Person, or where there's obvious UST between characters who's relationship is enjoyable when platonic but would be squicky to you-the-reader if sexual (because the characters are siblings and you have an incest squick, or because mentor/student relationships squick you, or some other specific-relationship-dynamic squick, or because you'd really like to never be made to imagine character X having sex) can be as jarring as reading something where there's a textual, consummated romantic/sexual relationship that you don't ship.
Whereas gen that has a nice helping of slashy subtext in the flavor you prefer is often just as satisfying as fic with actual sex scenes.
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It might be fun to explicitly state "slash subtext" to inform potential readers that it's there if they look, but part of me's saying that subtext pointed out to the reader is less fun for all involved. It's like listing the characters in a header when one of them's being there is supposed to be not only a surprise, but the crux of the mystery plot you've been building up for three chapters. Etiquette and 'advertising' (for want of a better word) seem, sometimes, to be at odds with quality of writing/reading.
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It isn't for every story or everyone, but there are cases where it is a good option.
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Particularly romance, in some ways -- there's rarely any surprise about who the heroine's Designated Love Interest is going to be in a romance novel, and even in a series where there is some question (Will the heroine choose guy A or guy B?) it's generally a choice btween two characters who are both introduced as potential romantic leads early on in the series. If you get to book six and the heroine suddenly goes off to live happily ever after with guy C who's just appeared in this instalment, there's usually reader outcry (dieMicahdie. Diediedie and take the ardeur with you).
I think a lot of the appeal of certain kinds of romance plots for some readers is knowing the who from the get go and concentrating entirely on the how and the when. Not "will they fall in love?" but "when will they realize that they're in love?"
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I'd prefer if those stories labelled themselves as slash with UST if there is significant UST and pairing focus but no sex, and plain gen if it is all in the author's head, but I don't see it as a reader as more than friendship. That way it's clear what is/isn't happening, for slash just as for het.
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