This is honestly fascinating to me as a delve into vidding history/your specific vidding history.
But also: oh, Methos, buddy.
(god, will I EVER finish that fucking Sorceror's Apprentice vid? I STILL WANT TO, IS THE THING. arrrgh.)
ALSO, tangentially: it's been deeply weird and surreal realising HOW MUCH I've been applying vidding principles to constructing aerial routines once I got over the "aaaa I haven't done this before!" freakout of choreographing my first routine. Like, I got the recap of what they talked about at the first rehearsal for my showcase and was like "...you mean... all the things I do BY DEFAULT in approaching visual storyteling with a song?!" Because like, oh my god, OF COURSE you have to consider the structure of the song musically and match your visuals to them? And also the lyrics matter a lot? WHY WOULD ANYONE NOT BEING THINKING ABOUT ALL OF THAT?! *snerk*
no subject
But also: oh, Methos, buddy.
(god, will I EVER finish that fucking Sorceror's Apprentice vid? I STILL WANT TO, IS THE THING. arrrgh.)
ALSO, tangentially: it's been deeply weird and surreal realising HOW MUCH I've been applying vidding principles to constructing aerial routines once I got over the "aaaa I haven't done this before!" freakout of choreographing my first routine. Like, I got the recap of what they talked about at the first rehearsal for my showcase and was like "...you mean... all the things I do BY DEFAULT in approaching visual storyteling with a song?!" Because like, oh my god, OF COURSE you have to consider the structure of the song musically and match your visuals to them? And also the lyrics matter a lot? WHY WOULD ANYONE NOT BEING THINKING ABOUT ALL OF THAT?! *snerk*