![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Fall Shows Its Face
Fall is the season I love the most. The temperature is very comfortable. I love watching the leaves change. And there is Halloween which is my favorite holiday. I still have to get my decorations ups.
That will happen after this weekend which is New York Comic Con. We are accepting Peter’s entrance into the hall of fame. Next weekend is Peter’s family memorial and then I am done with memorial services.
And then….
Well, I don’t know. I still have IRS, Medicaid and the Will to deal with.
For over 10 years, starting with Peter’s first stroke, I was Peter’s caretaker. I made sure he went to his physical therapy and doctor’s appointments. I made sure there was food on the table, and he had what he needed to work. At conventions, I was his stage manager making sure he got to his panels, and he ate among other things.
Now I have myself to take care of. Living by myself I have been doing for about three years. Now I must find a job that pays a decent salary. I have been trying to get a job before Peter passed. I have been out of the job market for 23 years since I was let go by Del Rey. I do have my job at Micheal’s Craft Store but only very part time at a little over the minimum wage. I do enjoy my time there. I have a great manager and a good crew to work with, but it will not pay for my utilities and other expenses.
I must learn how to take care of myself. I am so used to taking care of others, I tended to ignore me. Now it is just me and that feels weird. I honestly didn’t expect to find myself in this position for at least another 20 years or so.
I have lived on my own before I met Peter. I know I have the skill seall be it a little rusty.
The hardest thing for me to do is put me first. I haven’t really done much of that in my life. I have others I could put first. Caroline still needs me however; she has her own life and adventures to live. She knows she can call, text, or visit any time she wants to.
I am at a crossroads as to what I want to do with my life. I want to write more and continue to make puppets for fun and profit. But can I make a living on that? Right now, the answer is no but I can work to making it a yes. It will take time and effort on my part.
I am in a cocoon right now getting ready to hatch and spread my wings. I don’t know how this is all going to end up, but I think I have a good beginning.
I am grateful for me.
![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
The OTW is Recruiting for Policy & Abuse Volunteers
Are you a frequent AO3 user who enjoys helping others? Would you like to assist AO3 users by resolving complaints? The Organization for Transformative Works is recruiting!
We’re excited to announce the opening of applications for:
- Policy & Abuse Volunteers – closing 15 October 2025 at 23:59 UTC
We have included more information on each role below. Open roles and applications will always be available at the volunteering page. If you don’t see a role that fits with your skills and interests now, keep an eye on the listings. We plan to put up new applications every few weeks, and we will also publicize new roles as they become available.
All applications generate a confirmation page and an auto-reply to your e-mail address. We encourage you to read the confirmation page and to whitelist our email address in your e-mail client. If you do not receive the auto-reply within 24 hours, please check your spam filters and then contact us.
If you have questions regarding volunteering for the OTW, check out our Volunteering FAQ.
Policy & Abuse Volunteer
The Policy & Abuse committee (PAC) is responsible for addressing questions and concerns about potential violations of the AO3 Terms of Service. We determine whether reports are about legitimate violations of the Terms of Service, and what to do about them if they are. PAC volunteers correspond directly with AO3 users and collaborate on projects both within PAC and with other OTW committees.
Our main goals as a committee are:
- to adhere to the AO3 Terms of Service
- to make our reasoning and processes as clear and transparent as possible
- to handle all user reports consistently, no matter which volunteer is doing the work
- to keep every case we work on completely confidential
We are seeking people who can:
- Commit to working on cases regularly
- Be patient with rephrasing explanations
- Ask for help when needed
- Collaborate both inside the team and with other committees
- Act in accordance with established rules, policies, and procedures
- Treat confidentiality and user privacy as a priority
You must be 18+ in order to apply for this role. While English proficiency is required, we welcome applicants who are fluent in other languages, especially Spanish (Español), Brazilian Portuguese (Português brasileiro), Russian (Русский), Chinese (中文), or Indonesian (Bahasa Indonesia).
Applications are due 15 October 2025
Apply for the Policy & Abuse Volunteer role at the volunteering page! If you have further questions, please contact us.
![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
Geek Week: A Pop Culture, Gaming, Young Adult and Children's Literature, and Fanfiction Event at UFR
Logo from GEEK WEEK. Source: NEPF².
After a year of meticulous planning, the research groups NEPF² (Fans and Fanfic Studies and Research Group), NuPNE (Electronic Narrative Research Center), and NUPLIJ (Center for Research in Children's and Youth Literature) — affiliated at the time with the Laboratório da Palavra (Word Lab) and PACC (Advanced Program of Contemporary Culture) — collaborated to organize a week dedicated to geek studies at the Federal University of Rio de Janeiro (UFRJ). The event, named Geek Week UFRJ, took place recently at the Faculty of Letter, while also being made available online through Google Meet and YouTube.
The primary objective of Geek Week was to establish a safe and engaging space for intellectual discussions on topics related to pop culture, gaming, young adult and children's literature, and fanfiction. The event encouraged not only the academic research groups to share their perspectives but also provided an open forum for attendees to actively engage in discourse about widely consumed cultural phenomena.
Given that the subjects addressed during the event’s panels and discussion sessions are not traditionally explored within academic research, Geek Week served as a crucial platform to highlight the significance of both formal and informal studies on pop culture. The participating research groups assumed the responsibility of documenting and disseminating their insights, combining their academic investigations with their experiences as enthusiasts and fans to foster deeper academic interest in these emerging fields.
Event Structure and Highlights
Day 1 – Theoretical Frameworks in Popular Literature
The first day of the event was marked by engaging theoretical discussions centered on popular literature. A standout moment was the lecture, “There Are No Ostriches in Fairy Tales,” delivered by professor Francisco Câmelo. Offering a rich analysis of children's literature and fairy tales, Câmelo guided the audience through the evolution of these narratives—from their early origins to modern reinterpretations.
His talk shed light on the symbolic use of animals in storytelling, with a particular focus on birds. Drawing attention to the curious absence of ostriches in traditional fairy tales, the professor contrasted this with the frequent appearance of other birds such as crows, swans, and nightingales. The lecture invited listeners to reflect on how symbolic choices in literature reveal cultural values and shape the way stories are told and understood over time.
Professor Francisco Camêlo presenting “There are no ostriches in fairy tales”. Source: NEPF².
Letícia Pimenta giving a talk on the origins, stereotypes and diversity of the Furry fandom. Source: NEPF².
Day 2 – Fandom Culture and Community Interpretations
The second day of the event shifted focus to fandom studies, highlighting the diversity and complexity of fan communities. A standout session featured a compelling lecture on the Furry fandom, presented by Letícia Pimenta, General Coordinator and Administrator of NEPF².
In her talk, Letícia explored the origins of the Furry community and unpacked the multiple ways it is understood both within and outside the fandom. She addressed common stereotypes and misconceptions, offering a critical lens on how these narratives are shaped. The presentation also mapped out the varied subcultures within the Furry world, shedding light on their evolution and the ways in which they are portrayed in mainstream media. With a thoughtful and informative approach, the session challenged prevailing assumptions and broadened the conversation around fan identities and representation.
Day 3 – Gender, Sexuality, and Representation in Media
The third day of the event centered on discussions surrounding gender and sexuality, examining how these themes are represented across literature, gaming, and K-pop. Among the most thought-provoking sessions was the panel “Chapter 21: Sex, Fantasy, and Young Readers”, organized by NUPLIJ and NEPF².
This panel offered a critical examination of how sexuality is portrayed in children's and young adult literature. The discussion compared narrative approaches across age groups and reflected on the broader societal implications of these representations. By unpacking the complexities of storytelling aimed at younger audiences, the session encouraged a deeper understanding of how literature can shape perceptions of identity, desire, and fantasy during formative years.
Presentation by NEPF² coordinators Júlia Carneiro and Ticiane Pilar “From Himbo to Babygirl: kpop bodies and personalities (understanding 21st century virtual terminology)”. Source: NEPF².
Lecture “Psychosis and neurodivergence in electronic games” given by NUPNE. Source: NEPF².
Day 4 – Horror Narratives and Their Literary Evolution
The fourth day of the event turned its focus to horror fiction, exploring the genre’s narrative strategies across literature and various media. The day’s sessions featured dynamic discussions on a range of themes, including the presence of horror elements in children's literature, the craft of building suspense, and the symbolic use of zombies as recurring narrative devices.
Participants examined how horror adapts to different literary formats and audience demographics, shedding light on the enduring appeal and cultural significance of the genre. By dissecting how fear is constructed and conveyed, the day offered a rich exploration of horror as both a storytelling tool and a mirror for societal anxieties.
Day 5 – Creative Workshops: Comics, The Sims, and Fanzines
The final day of the event shifted from theory to practice, featuring a series of interactive creative workshops that encouraged participants to explore storytelling through various artistic mediums. This day involved three distinct sessions, each led by a different research group.
The Comics Workshop, organized by NUPLIJ, offered participants an in-depth introduction to the fundamentals of visual storytelling, emphasizing the dynamic interplay between images and text in narrative construction. Far beyond a theoretical overview, the session provided a hands-on experience where attendees created their own original comic strips, applying the concepts discussed in real time. Throughout the workshop, participants explored key elements of comic book language including panel sequencing, framing, character design, and dialogue pacing, gaining a deeper understanding of the creative and technical aspects that define the comic book industry. The activity not only demystified the process of making comics but also highlighted their cultural and narrative potential as a powerful medium of expression.
UFRJ students at the Fanzine Workshop. Source: NEPF².
NuPNE led The Sims Workshop, demonstrating how simulation games can serve as powerful tools for crafting complex, character-driven narratives. Participants were divided into groups of four, collaborating closely to explore the inner workings of character creation and world-building within The Sims universe. Through guided activities, each group developed unique scenarios, navigating choices related to identity, relationships, and environment design. The workshop highlighted how interactive digital platforms can foster creativity, narrative coherence, and collaborative storytelling, offering participants a deeper appreciation for the narrative possibilities embedded in simulation games.
Meanwhile, NEPF² hosted the Fanzine Workshop, offering participants a hands-on experience in creating and self-publishing their own zines. The session walked attendees through the entire process: from concept development and layout design to photocopying and final assembly, emphasizing the zine as a medium of both artistic expression and grassroots communication. All participants produced fanzines centered on themes of protest and/or appreciation, with most works focused on fandoms related to music and cinema. The workshop fostered a space for personal voice and collective identity, illustrating how fanzines remain a vibrant form of cultural commentary and fan engagement.
All workshops were met with great enthusiasm, offering participants not only the chance to engage creatively, but also to apply storytelling techniques in concrete and meaningful ways. Whether through comics, simulation games, or fanzines, students explored new forms of narrative expression while collaborating, experimenting, and producing original content. The outcomes of these activities, as well as each lecture, reflect the diversity of voices and interests presented throughout the event.
Lecture “Images of childhood and K-POP” given by Letícia Pimenta, Maria Eduarda Oeby and Ticiane Pilar. Source: NEPF².
Impact, Academic Recognition and a commitment to Pop Culture Studies
Geek Week UFRJ garnered meaningful engagement from both in-person and online audiences. Over 50 participants joined the virtual sessions simultaneously and the total number of views (including both live and recorded lectures) surpassed 1,000. These numbers gain relevance within the Brazilian academic context, where fanfiction and pop culture studies still face limited institutional recognition. The event marked an important step in legitimizing these fields, and the lectures remain available through NEPF's YouTube channel.
NEPF firmly believes in the necessity of fostering spaces for knowledge exchange. Our mission is to bridge contemporary interests with academic and theoretical studies, ensuring that discussions on fandoms, literature, and digital culture receive the scholarly attention they deserve. With Geek Week, we had a surprising turnout of students from both the Faculty of Arts and Humanities and the School of Fine Arts in general; the project provided space for people to familiarize, as well as break down, some prejudices and even discover new themes.
For readers in the U.S. and Europe, it’s worth noting that, while the numbers may seem modest compared to large-scale international conferences, Geek Week resonates within a context where fanfiction and pop culture studies are still emerging as legitimate academic subjects. Much like early fan studies conferences held in North America or the UK in the 1990s, Geek Week represents a turning point for the formalization of this field in Brazil.
Recordings of all Geek Week lectures are accessible on NEPF²’s YouTube channel, and the fanzines produced during the final day's workshop can be browsed and downloaded through the group’s online publication platform. Further updates, including news on upcoming projects and collaborations, will be regularly posted on the group's Instagram page and institutional website.
By opening space for academic dialogue on topics once marginalized by traditional scholarship, Geek Week laid the groundwork for a broader, interdisciplinary approach to culture and education. As pop culture continues to shape contemporary identities and communities, events like these reaffirm the importance of giving it serious academic attention.
Currently there are no plans for another edition of Geek Week soon, as our team is currently focusing on the development of a new project. However, Geek Week has already generated valuable outcomes beyond its original scope, including the creation of collaborative research initiatives and increased student engagement with topics such as fanfiction, media studies, and digital authorship. These developments continue to inform our ongoing work and will be reflected in future publications and activities.
What's next after Geek Week UFRJ?
Although the continuity of Geek Week UFRJ in its original format remains uncertain, due to recent structural changes at the research center, the enthusiasm it sparked among students and scholars suggests a promising future for pop culture studies within academia. With NEPF² now operating at Universidade Federal Fluminense (UFF), under the supervision of professor and researcher Adriana Amaral, the group aims to expand its research lines and reaffirm its commitment to exploring contemporary cultural phenomena.
As a direct result of the success of Geek Week, a new academic initiative is already confirmed: Virtual Fan Studies Week, to be held online from September 1 to 5, 2025. This event will bring together early-career researchers, university scholars, and professionals working in the field of Fan Studies, aiming to foster dialogue, collaboration, and increased visibility for this emerging area in Brazilian academia. The full program and registration details will be made available on NEPF²’s official communication channels and social media pages such as Instagram and Tumblr.
Further information can be found in social media like Instagram and Tumblr. NEPF has an AO3 - Archive of Our Own account available to read fanfics created and beta read by Brazilian students on Fanfic Workshops.
Biographies
Letícia Fernandes Pimenta is a researcher focused on contemporary pop culture and fan narratives. Her work explores the K-pop fandoms, construction of women in pop culture, fanfics, and fanzines, with a special interest in cultural and affective practices. She is coordinator, editor, and designer/social media manager at the NEPF² research group, combining academic expertise with creativity, critical thinking, and strong communication skills.
Ticiane Pilar Café is a researcher that focuses on contemporary pop culture, fan narratives, and their intersection with education. With strong experience in educational settings, she leads workshops and training projects. She is one of NEPF²’s coordinators and supervisor of events from NEPF².
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
More bulbs, adhd taxes, and random gardening drawbacks
We bought a bulb planter a few years ago, a very handy little low-tech device. But we both have ADHD and we couldn't remember where we put it or find it again. Unfortunately, garden... stuff... tools... are spread around in the basement (very poorly lit and low-ceilinged so I hit my head on a beam at least 1/3 of the time I go there...), the boatshed that I can't enter because there's a smell that makes me like unable to breathe that nobody else can smell, and our uninsulated-but-enclosed porch, which WOULD be the ideal place, but it's too small. I guess if we lined the walls with cork board and cubbies and shelving and drawers like a garage workshop all the small garden tools would fit, but it's also the entryway/airlock area from the front door so... nah. There's a cabinet (one of the original wooden homemade kitchen cabinets from the house, so smaller than current cabinet sizes) that currently holds most of our tools, and there's one of those island-height tables with a vinyl tablecloth on it for basic repotting and stuff (whose top quickly fills up with muddy gloves and birdseed bags etc, because we have ADHD, but it's too necessary to eliminate the surface).
So we planted them with trowels, which is much more work, and I tried REALLY hard not to put my knees down on the ground but I ended up having to scrub the knees of my sweatpants anyway. Then we raked a few big bags of potting soil over the bare ground left after our plumbing excavation, because the surface left by the digger guy was mostly sand, and then we scattered the clover seed over that. Feeling very accomplished right now!
We put a bunch of bulbs near the new bushes, at the side of the house along the street, which is a place we don't usually think about much becasue we hardly see it. But we're running into a problem with our perennial beds:
There are two long rectangular beds with perennials in them running along the edge of the embankment/retaining wall leading up into the main yard. (We live on a hill.) And they have had perennials in them before, because a diligent gardening genius USED to live in this house - not sure if it's just the original owner, from 1950-, or her daugher-in-law, who moved out somewhere around 10 years before we bought the house. The intermediate owner did nothing to the garden, just let grass cover everything and mowed it flat, so the grass took over most of the perennials, and they only gradually started to come back when we weeded etc. They didn't ALL come back, but the shape of the beds as originally intended was still clear, so over the past 6 years we and our tenants have gradually added more perennials to these two beds. But kind of at random. In different years.
So looking at this long rectangular bed NOW, in the fall when everything has stopped blooming, it's like:
"I know there are a lot of daffodils... I think sort of mainly over here on the left?"
"Don't they go more towards the middle? I think there are daffodils out to HERE."
"Okay, let's try to put them down here I guess. What about this side of this bush? Some more tulips?"
"I think some of the tulips are there already. Aren't they? Were't there some tulips like over... here?"
"Oh, maybe. And what about up here then, in the upper left corner of the bed?"
"I think we put something there. I can't remember what though. Maybe it died."
Etc. Etc.
We need a complete map of these beds. Wish us luck remembering to document them next year.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Book Log: The Epic of Bidasari
Having grown up here in the 80s/90s, I know and adore the 1964 black-and-white film Bidasari starring Sarimah and Jins Shamsudin. (Shockingly, I can't find an upload of the full film on youtube to share here!) It's due to familiarity with that movie that I picked up this book, and I really enjoyed reading the full English-translated poem, which makes up the meat of this book, though I do wish I had a Malay original as well because you can just SEE glimpses between the words of what the original was, plus as with all translations the vibes would just be different. Also, the dialogue of the Bidasari film is almost entirely in verse, and I would've loved to see if they'd ported anything over from the poem.
Bidasari is a folktale/fairytale about a princess, Bidasari, who is abandoned as a baby by her royal parents when they (the parents) are chased by a garuda and have to flee into the desert. Bidasari is rescued by a merchant of another kingdom, who prospers as he raises her. Bidasari grows up beautiful and kind and flawless (etc etc) which puts her in the radar of the queen, who is beautiful but not that beautiful, and fears that her husband the king will take Bidasari as his second wife if he sees her. So the queen has Bidasari brought to her and locks her up to abuse in the hopes of ruining her beauty, eventually seemingly killing her, but due to certain magical shenanigans Bidasari isn't dead dead, but only partly dead. Bidasari's body is returned to her merchant father, who puts her in a secret house-tomb in the woods that the king eventually stumbles upon while hunting.
Obviously there's some similarity to Snow White, and the filmmakers of the movie saw that, too, and made the queen a witch of sorts who has a magic mirror that she uses pretty much the same way as the Snow White queen does. But the biggest change, which surprised me, too, is that instead of Bidasari being the queen's stepdaughter, she's the queen's rival for the king's love, and that just makes so much sense! Of course that only works in a folktale setting where polygyny is a thing, and vanity is a good enough sin for these kinds of stories regardless, but the queen's intense, preemptive jealousy just feels more organic this way, which I thought was neat. Like, the queen created her own problems by targeting Bidasari, more or less. (The Bidasari movie has the love interest prince be the evil queen's stepson instead.)
( Cut the rest for length. )
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Daily Happiness
2. Last night we got Chinese food from a new place and it turns out they have really, really good char siu pork. Tonight we used the leftovers to make rice and it was amazing. Definitely want to get from there again. (Sadly their hot and sour soup, which is the main thing Carla wanted as she is under the weather again, was not good.)
3. Look at this cutie Gemma!

![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
[IN-PERSON Escapade 36] Panel Suggestion Parties are Happening!
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
earworm of the moment
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[site community profile]](https://www.dreamwidth.org/img/comm_staff.png)
characters20in20 Round 19

Link: Round 19 Sign Ups | Round 19 Themes
Description:
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Schedule: Round 19 sign ups are open NOW. Icons are due October 27, 2025.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Everyone's an oyster with their grain of sand

+++
Randomly, a Stop & Shop I went to for groceries had some makeup discounted, so I picked up an e.l.f. Camo CC Cream that's usually $15.99 for $3.99. I don't know what the undertones of my face actually are, but the only one of these Stop & Shop had in the sales bin was full-coverage Fair 100W, with warm golden undertones, so that's what I bought. (Someone once told me the color of the veins in your wrist can help you identify, and my veins are dark blue and a light greenish blue.) One of my complaints is having unwanted redness/pinkness in my face, so I try to avoid things that might make me look pinker.
The result was a bit too uncanny valley for me, someone who goes out bare-faced a lot of the time and with a light veil of bareMinerals' "fairly light" foundation the rest of the time. This might look less unnatural as what summer color I get on the edges of my face fades as the autumn and winter come in. Hilariously, "full coverage" didn't do much to my undereye shadows.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I won Guardian Wishlist! We ALL won Guardian Wishlist! :D
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
I received four amazing presents, all beautifully tailored to my id, wow! Srsly, I could not be happier!! :D :D :D
- Happy, gloriously soft and indulgent M-rated YOHE art with finger-sucking Weilan (based on one of my fics, eeeeeee!) by
facethestrange
- A little Shen Xi/Zhao Xinci AU, where Shen Xi knooows (eeeeeeee!), and the family resemblance with Zhao Yunlan is outstanding by
nnozomi
- A sumptuous, indulgent, idyllic Shen San/Wei domestic interlude with perfect voices (Guardian novel fic) *smishes them forever* by
Hyde_DualDomination
- Gorgeous b&w art of Chu Shuzhi & Zhao Yunlan, which manages to be angsty and hurt/comforty without even showing their faces a;ldskfjasdf by
AVAAntares
I have a couple of late gifts in progress, and then I'm looking forward so much to diving into the collection!!
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Misc stuff
2) I'm kind of annoyed that not all of Doctor Who is available right now. D+ has the Ncuti Gatwa ones, but nothing else. I own the first few seasons of New Who, which is rewatch for me, but when it was first airing I stopped having access partway through Matt Smith, and I haven't seen Peter Capaldi or Jodie Whittaker at all. Obviously I can watch out of order, but. Grump.
3) My current headcanon for Phantom of the Opera is that Erik is some flavor of asexual. He wants Christine as a bride, but it's a very child-ish "marrying means you're together forever" attitude, and if he knows newlyweds sleep together, he's oblivious to that being anything other than cuddling. He doesn't take advantage of Christine when she's down in his lair. And the sequence of "Either be with me forever or your boyfriend dies" "What if I kiss you?" "... ... ... ok you can leave" fits in, because in my head he's like "??? is this sex? Gross???" This amuses me way too much somehow...
4) I've pretty much decided to quit Duolingo when I hit 4000, which is in a bit over a month. The content is getting more irritating and while I am a little sad to not see how far I go, fuck Duolingo.
5) Am doing a daily drawing challenge (via Marc Brunet on YouTube -- he has a "learn to draw in 30 days" video with prompts. Posting the oh-so-exciting results to my instagram ... if you're desperate to see a bunch of squares and circles and cylinders and stuff, lol.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
"A Novel"
Why is the author spending so much time writing to the other person about things they already know!?
The writer of the second person parts has Alzheimer's and is trying to get things down before they disappear, but the way it's written keeps hitting me like "As you know." It's the "you." "You said", "you did." If it weren't second person like this, I think it wouldn't keep slapping the back of my head constantly. I can write down my memories and feelings without this. I can't help feeling that a lot of it is this way because we, the reader, need to be informed, and that things would be set down differently if the reader weren't there. Like in a lot of "a novel" books, I'm too conscious of the form because the writer is thrusting it in my face.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
one video game I finished recently and two I'm in the middle of
( Read more... )
Road to Empress (2025):
( Read more... )
Sorry, We're Closed (2024):
( Read more... )
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Daily Happiness
2. We got our ballots for the special election. There is only one thing on the ballot: the proposition to redraw California districts to be almost entirely blue if Texas tries to gerrymander themselves to be all red. Not a fan of gerrymandering in general and wish it were illegal, but if it is legal, Democrats should use it to their advantage, since Republicans are determined to keep as many people from voting as possible. This measure will only go into effect if Texas does it first.
3. We ordered dinner through Grubhub tonight and there was an item missing, which was disappointing as it was one I was really looking forward to, but it was just a side, not the main meal, and the refund process for missing items is really easy. This was my first time needing to get a refund like that, but I'm glad they let you do it through their site and not have to call the restaurant directly.
4. Chloe loves her box.
