2025 Disneyland Trip #76 (12/8/25)
( Despite the parade crowds, we still had a good time )
As soon as Eddie gets to the counter, Steve turns to him and says, “Back me up here. Kissing is no big deal, right?”
Steve Harrington is talking about kissing. Eddie’s brain shorts out. “Uh,” he says.
As soon as Eddie gets to the counter, Steve turns to him and says, “Back me up here. Kissing is no big deal, right?”
Steve Harrington is talking about kissing. Eddie’s brain shorts out. “Uh,” he says.
Something old…
Coming together in a hotel ballroom with the rebels in the cause of a women’s art/communication system, the researcher feels a tiny thrill of danger. The community is open to anyone willing to participate, but closed to anyone who might jeer, or worse, blow the whistle. A man in a ten-gallon hat approaches and wants to know what is going on. There is a gleam in his eye: he sees only women about. Not all of them are pretty - some of them are middle-aged, or overweight, or both. They all return his bravado with suspicion.
Lois, in her late forties and looking very prim, looks up from her place at the registration table and smiles the smile of PTA mothers everywhere. “It’s a meeting of a ladies’ literary society,” she answers very properly.
“Mighty nice,” the ten-gallon hat responds.
As he walks away, another voice at the table whispers: “And terrorist society.”
Beneath the grins and the giggles and the pajama party atmosphere, the ladies gathered here know they are engaged in an act of rebellion. They have stolen characters, settings, plots off the home and movie screens, fleshed them out, created new characters for them to love and given the characters permission to love each other.
– Enterprising Women (1992), by Camille Bacon-Smith
Something new…
Technology and art have always existed together, with new technologies like photography (and later Photoshop) being hailed as the death of painting (and later photography), yet all of these forms continue to be used. However, generative AI introduces new questions around creative agency that fans are currently grappling with in terms of, for example, whether a story written by a large language model could be considered a valid form of fan fiction (see Cisternino and Radillo, this issue). Certainly, it is, as we have seen, quite possible to ask these models to produce derivative text that recognizably draws from media sources to transform them into a new text. Chiang (2024) suggests, however, that generative AI is not likely to become a new technological medium for artistic creation in the way that, say, photography is, because it does not allow for creative expression and choice-making as these other technologies do. He suggests that it is not the quality of the output that matters but the intent of the human originator to communicate—something that with AI exists in the prompt but is then filtered, mediated, and diluted by the normalization of the language models. A thousand works of fan fiction may have the same characters, setting, and basic plot, but the choices the author makes reveal something unique about their affective response to the material—something AI cannot do in its current form.
– “Fans and AI: Transformations in fandom and
fan studies” (2025), by Susanne R. Black and Naomi Jacobs
In November, Fanlore ran the Fanlore No Fault November challenge: a catch-up event for earlier badges editors missed! The challenge ran from November 16 to 30, with many editors participating and earning badges from previous months.
Curious about editing Fanlore? Check out the New Visitor Portal and Tutorial for getting started!
On November 14, we celebrated AO3’s 16th anniversary! \o/
Accessibility, Design & Technology continued to prepare emails for translation and improved how the download and chapter index menus behave with each other on smaller screens.
AO3 Documentation updated the Contacting the Staff FAQ.
Open Doors finished importing Oz Magi, an Oz annual gift exchange, and Stayka’s Saint Seiya Archive, a Saint Seiya archive. They also shared an annual roundup of the fanzine collections created in the last year for fanworks imported through the Fanzine Scan Hosting Project (FSHP) and announced the upcoming import of a Harry Potter archive, PhoenixSong.
In October, Policy & Abuse received 5,061 tickets, setting a record high for the third month in a row. Support received 3,043 tickets. Tag Wrangling wrangled over 600,000 tags, or over 1,380 tags per wrangling volunteer.
Tag Wrangling also continues to create new “No Fandom” canonical tags and announced a new batch of tags for November.
TWC continues to prepare for the two upcoming 2026 special issues: “Disability and Fandom” and “Gaming Fandom”. The submission deadline for the two 2027 special issues, “Music Fandom” and “Latin American Fandoms”, is also quickly approaching on January 1.
In November, the OTW filed an Amicus brief in the United States Supreme Court, arguing that the Supreme Court should clarify the rules surrounding who can challenge a trademark registration application. In a case involving whether someone should own the trademark “Rapunzel” for dolls of the character Rapunzel, the OTW argued that the Trademark Office should consider the interests of the public—including fans—in deciding whether to award private ownership over a word or symbol that may be in the public domain.
Legal also worked with Communications on a news post about recent legislation and have responded to a number of comments and queries on this post and other issues.
Board continued work on annual turnover and meeting with all committees. They made progress on the OTW Procurement Policy and expected to get it finalized soon. They, along with the Board Assistants Team, also continued to work with Volunteers & Recruiting and Organizational Culture Roadmap on the ongoing Code of Conduct review.
Development & Membership has been catching up on post-Drive tasks.
December 5 was International Volunteers Day! As a volunteer-run organization, the OTW would not be possible without the support and diligence of our volunteers. We thank all our volunteers, past and present, for the work they’ve contributed to the OTW.
If you’re curious about volunteering for the OTW, we recruit for various positions on a regular basis, and recruitment will next open in January.
From October 25 to November 22, Volunteers & Recruiting received 287 new requests, and completed 270, leaving them with 63 open requests (including induction and removal tasks listed below). As of November 22, 2025, the OTW has 983 volunteers. \o/ Recent personnel movements are listed below.
New Fanlore Volunteers: Luana and 2 other Chair-Track Volunteers
New Policy & Abuse Volunteers: Anderson, Araxie, corr, Aspenfire, Klm, Mothmantic, Nova Deca, vanishinghorizons, and 1 other Volunteer
New Tag Wrangling Volunteers: 90Percent Human, Aeon, Alecander Seiler, ambystoma, Astrum, Atlas Oak, batoidea, Bette, Bottle, bowekatan, Bruno, Chaosxvi, Destiny, DogsAreTheBest312, Dream, elia faustus, Ellexamines, Elliott W, Gracey, jacksonwangparty, Jean W, Kalico, Keira Gong, Kiru, lamonnaie, Lavender, Loria, Lucia G, LWynn, Max, Nikki, Nioral, noctilucent, Our Hospitality, Primo, Rie, Salethia, Sapphira, sashene, Schnee, Scylle, sneakyowl, soymilk, Thaddeus, TheCrystalRing, thewritegrump, Water, Wintam, yucca, and 1 other Tag Wrangling Volunteer
New Translation Volunteers: 1 Translator
New TWC Volunteers: Lys Benson (Copyeditor)
New User Response Translation Volunteers: Cesium (Translator)
Departing AO3 Documentation Volunteers: 1 Editor
Departing Open Doors Volunteers: Irina, Paula, and 2 other Import Assistants; 1 Administrative Volunteer, and 1 Fan Culture Preservation Project Volunteer
Departing Policy & Abuse Volunteers: 1 Communications News Post Moderation Liaison
Departing Tag Wrangling Volunteers: Julia Santos (Tag Wrangling Supervisor); blackelement7, pan2fel, and 7 other Tag Wrangling Volunteers
Departing Translation Volunteers: weliuona and 2 other Translators
Departing Volunteers & Recruiting Volunteers: Alisande and 2 other Volunteers
For more information about our committees and their regular activities, you can refer to the committee pages on our website.

